Sets an American literary classic on a wonderfully wrong turn.
In this riff on the celebrated poem, a youngster rides a blue hippo with a jingle bell harness through a wintery setting.
The brown-skinned child speaks the opening lines: “Whose woods these are I think I know.” The child then deviates a bit: “My little hippopotamus must think it—” Suddenly, the youngster encounters Robert Frost, peering out of a window superimposed over the trees (no house is depicted). The poet is clearly upset by the word change and the strange sight: “Hippos live in the jungle.” The child, the hippo, and Frost suddenly find themselves in a colorful jungle scene, along with tropical birds and animals peeking from the foliage. The young protagonist continues to rewrite the poem to fit the new environment. When Frost points out that there is no snow in the jungle, the child tries substitutes: Rain? Dough? Deciding that the verse needs more excitement, the child invents disasters such as meteors, a tidal wave, and an alien invasion. Somehow, Frost manages to get through the poem and even starts writing another well-known work. The disconnect between the staid poet and the imaginative child makes for a highly amusing example of metafiction, while the digital art blends elegantly composed wintry backdrops with cartoonish images of the characters and various animals, with gleefully chaotic results.
Sets an American literary classic on a wonderfully wrong turn. (Picture book. 6-9)Pub Date: Nov. 26, 2024
ISBN: 9781481478021
Page Count: 40
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
Innocuous adventuring on the smallest of scales.
The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.
In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).
Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)Pub Date: Jan. 3, 2017
ISBN: 978-1-4814-6575-5
Page Count: 144
Publisher: Aladdin
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
A nifty high-seas caper for chapter-book readers with a love of adventure and a yearning for treasure.
It’s not truffles but doubloons that tickle this porcine wayfarer’s fancy.
Funke and Meyer make another foray into chapter-book fare after Emma and the Blue Genie (2014). Here, mariner Stout Sam and deckhand Pip eke out a comfortable existence on Butterfly Island ferrying cargo to and fro. Life is good, but it takes an unexpected turn when a barrel washes ashore containing a pig with a skull-and-crossbones pendant around her neck. It soon becomes clear that this little piggy, dubbed Julie, has the ability to sniff out treasure—lots of it—in the sea. The duo is pleased with her skills, but pride goeth before the hog. Stout Sam hands out some baubles to the local children, and his largess attracts the unwanted attention of Barracuda Bill and his nasty minions. Now they’ve pignapped Julie, and it’s up to the intrepid sailors to save the porker and their own bacon. The succinct word count meets the needs of kids looking for early adventure fare. The tale is slight, bouncy, and amusing, though Julie is never the piratical buccaneer the book’s cover seems to suggest. Meanwhile, Meyer’s cheery watercolors are as comfortable diagramming the different parts of a pirate vessel as they are rendering the dread pirate captain himself.
A nifty high-seas caper for chapter-book readers with a love of adventure and a yearning for treasure. (Adventure. 7-9)Pub Date: June 23, 2015
ISBN: 978-0-385-37544-3
Page Count: 80
Publisher: Random House
Review Posted Online: March 16, 2015
Kirkus Reviews Issue: April 1, 2015
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