by Richard Thompson Ford ‧ RELEASE DATE: Oct. 4, 2011
A crisp analysis of the limits of our civil rights laws and a prescription for how to move beyond them.
A law professor argues against the harmful misuse of our civil-rights laws.
If instances of outright discrimination today are relatively rare, we have the 20th-century's civil-rights movement and the laws it inspired to thank. Ford (Law/Stanford Law School; The Race Card: How Bluffing About Bias Makes Race Relations Worse, 2008, etc.) forthrightly acknowledges this monumental achievement, but asks if those laws are now being stretched too far to cover every type of unfairness or slight. In an increasingly ambiguous and complex social landscape, are we doing more harm than good by insisting every injury or grievance amounts to a civil-rights violation? Ford enlivens his discussion with numerous, colorful example of rights gone wrong, cases where the laws are being abused to the detriment of genuine social justice. For example, Google fires a veteran Internet pioneer, deeming him a poor cultural fit. He sues, claiming age discrimination. A fan sues a Major League Baseball team after being denied the Mother's Day goodie bag distributed to all females. Another man files suit to be a waiter at Hooters; still another repairs to court against a Manhattan nightclub for its ladies' night promotion. All claim sex discrimination. A Harvard medical student, already granted an extra eight hours to complete a licensing exam because of her ADHD, demands still more time for a breast-pumping break. The organized San Francisco bicyclists who disrupt traffic, the Million Man marchers, the Promise Keepers, plaintiffs, protesters, even the Jena Six criminal defendants—all vigorously assert their "civil rights" and all, writes Ford, injure the social compact that recognizes a corresponding duty for every right. To view every instance of disparate treatment through the lens of discrimination—at the expense of common sense, civility and pragmatic problem-solving in the public interest—is to encourage the moral poseurs, narcissists, absolutists and extremists among us and to invite a host of outrageous, unintended consequences for those the laws were intended to help.
A crisp analysis of the limits of our civil rights laws and a prescription for how to move beyond them.Pub Date: Oct. 4, 2011
ISBN: 978-0-374-25035-5
Page Count: 288
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 5, 2011
Kirkus Reviews Issue: July 15, 2011
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by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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