FREAKY STUFF

In a second round of droll ups and downs, Brian, the young narrator of Weird Stuff (2006), struggles to cope with his little brother Matthew’s total identification with a crew of kickboxing zombie fighters on a new TV show. This while trying to look out for Sebastian, a kindergartener who sports cardboard fairy wings, flower garlands and pockets of strangely effective “fairy dust,” and in the meantime earning instant notoriety for a role in a fruit juice commercial as “The Kid Who Sucks.” As before, Brian reports all this to his favorite author, who responds by complimenting him on his fertile imagination. Brian’s divorced parents don’t believe him either—until Matthew starts a riot at the local mall and Brian helps Sebastian quell it with liberal applications of . . . guess what. Aside from an earnest, unconvincing screed about violence on TV, this otherwise nonstop romp, which is strewn with faux-crude ink drawings done on torn loose-leaf (plus a set of small flip-page images), is perfectly tuned to its intended middle-grade audience. (Fiction. 9-11)

Pub Date: April 1, 2007

ISBN: 0-8027-9623-0

Page Count: 208

Publisher: Walker

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 2007

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HOME OF THE BRAVE

From the author of the Animorphs series comes this earnest novel in verse about an orphaned Sudanese war refugee with a passion for cows, who has resettled in Minnesota with relatives. Arriving in winter, Kek spots a cow that reminds him of his father’s herd, a familiar sight in an alien world. Later he returns with Hannah, a friendly foster child, and talks the cow’s owner into hiring him to look after it. When the owner plans to sell the cow, Kek becomes despondent. Full of wide-eyed amazement and unalloyed enthusiasm for all things American, Kek is a generic—bordering on insulting—stereotype. His tribe, culture and language are never identified; personal details, such as appearance and age, are vague or omitted. Lacking the quirks and foibles that bring characters to life, Kek seems more a composite of traits designed to instruct readers than an engaging individual in his own right. Despite its lackluster execution, this story’s simple premise and basic vocabulary make it suitable for younger readers interested in the plight of war refugees. (Fiction. 9-11)

Pub Date: Sept. 1, 2007

ISBN: 978-0-312-36765-7

Page Count: 256

Publisher: Feiwel & Friends

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 1, 2007

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One of those rare thrillers whose answers are even more scarifying than its mysteries.

AFTER ALL I'VE DONE

A middle-aged woman sidelined by a horrific accident finds even sharper pains waiting on the other side of her recuperation in this expert nightmare by Hardy, familiar to many readers as Megan Hart, author of All the Secrets We Keep (2017), etc.

Five months ago, while she was on her way to the hospital with an ailing gallbladder, Diana Sparrow’s car hit a deer on a rural Pennsylvania road. When she awoke, she was minus her gallbladder, two working collarbones (and therefore two functioning arms), and her memory. During a recovery that would’ve been impossible without the constant ministrations of Harriett Richmond, the mother-in-law who’s the real reason Diana married her husband, Jonathan, Diana’s discovered that Jonathan has been cheating on her with her childhood friend Valerie Delagatti. Divorce is out of the question: Diana’s grown used to the pampered lifestyle the prenup she’d signed would snatch away from her. Every day is filled with torments. She slips and falls in a pool of wine on her kitchen floor she’s sure she didn’t spill herself. At the emergency room, her credit card and debit card are declined. She feels that she hates oppressively solicitous Harriett but has no idea why. Her sessions with her psychiatrist fail to heal her rage at her adoptive mother, an addict who abandoned her then returned only to disappear again and die an ugly death. Even worse, her attempts to recover her lost memory lead to an excruciatingly paced series of revelations. Val says Diana asked her to seduce Jonathan. Diana realizes that Cole, a fellow student in her watercolor class, isn’t the stranger she’d thought he was. Where can this maze of deceptions possibly end?

One of those rare thrillers whose answers are even more scarifying than its mysteries.

Pub Date: Nov. 10, 2020

ISBN: 978-1-64385-470-0

Page Count: 310

Publisher: Crooked Lane

Review Posted Online: Aug. 19, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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A moving exploration of the places we come from and the people who shape us—not to be missed.

SOME PLACES MORE THAN OTHERS

On a birthday trip to New York City, a girl learns about her roots, Harlem, and how to stay true to herself.

Eleven-year-old sneakerhead Amara is struggling to feel seen and heard. A new baby sister is on the way, her mom still wants to put her in dresses, and that birthday trip from the Portland, Oregon, suburbs to New York City that she so desperately wants feels out of reach. When Amara gets a family-history assignment, she is finally able to convince her mom to say yes to the trip, since it will allow Amara to meet her dad’s side of the family in person. In addition to the school project, her mom gives Amara a secret mission: get her dad and grandpa to spend time alone together to repair old wounds. Harlem proves unlike any place Amara has ever been, and as she explores where her father grew up she experiences black history on every street. Watson is a master at character development, with New York City and especially Harlem playing central roles. Through her all-black cast she seamlessly explores issues of identity, self, and family acceptance. Although the ending feels rushed, with no resolution between Amara and her mom, Amara’s concluding poem is powerful.

A moving exploration of the places we come from and the people who shape us—not to be missed. (Fiction. 9-11)

Pub Date: Sept. 3, 2019

ISBN: 978-1-68119-108-9

Page Count: 208

Publisher: Bloomsbury

Review Posted Online: May 8, 2019

Kirkus Reviews Issue: June 1, 2019

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