A powerful, visually impactful story of cross-culture relations.


From the Spirit of Denendeh series , Vol. 1

When a Japanese man comes to Canada to claim his family’s samurai armor, he finds healing and peace with a Tłı̨chǫ Dene family.

In a museum in Fort Smith, Northwest Territories, Shinobu, a man from Nagasaki, has arrived to take a suit of samurai armor back to his family. Unfortunately, the museum’s old manager gambled the sword away to a man known as Benny the Bank. With the guidance of Sonny, a Tłı̨chǫ boy, he finds Benny’s place but is attacked and knocked unconscious. Sonny brings him back to his grandmother’s house, and together, with the help of a spirit, he and Ehtsi heal Shinobu’s wounds. After getting to know each other and sharing stories of their respective cultures and connected histories, Ehtsi suggests going together to retrieve the sword peacefully. Van Camp (Dogrib Tłı̨chǫ) was inspired by an actual suit of samurai armor of mysterious provenance at the Northern Life Museum. This is a striking colorized version of his 2015 original. The story and messages of honor, respect, peace, and human connection are powerful and moving. Touching on the impacts of the Second World War on First Nations communities and their link to the atomic bombs dropped on Hiroshima and Nagasaki, an author’s note and two notes from experts in the fields of history and museum education add valuable cultural and historical insights to support the story.

A powerful, visually impactful story of cross-culture relations. (Graphic fiction. 14-adult)

Pub Date: Sept. 6, 2022

ISBN: 978-1-77492-040-4

Page Count: 56

Publisher: HighWater Press

Review Posted Online: July 27, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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A contemporary hero’s journey, brilliantly told.

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The 17-year-old son of a troubled rock star is determined to find his own way in life and love.

On the verge of adulthood, Blade Morrison wants to leave his father’s bad-boy reputation for drug-and-alcohol–induced antics and his sister’s edgy lifestyle behind. The death of his mother 10 years ago left them all without an anchor. Named for the black superhero, Blade shares his family’s connection to music but resents the paparazzi that prevent him from having an open relationship with the girl that he loves. However, there is one secret even Blade is unaware of, and when his sister reveals the truth of his heritage during a bitter fight, Blade is stunned. When he finally gains some measure of equilibrium, he decides to investigate, embarking on a search that will lead him to a small, remote village in Ghana. Along the way, he meets people with a sense of purpose, especially Joy, a young Ghanaian who helps him despite her suspicions of Americans. This rich novel in verse is full of the music that forms its core. In addition to Alexander and co-author Hess’ skilled use of language, references to classic rock songs abound. Secondary characters add texture to the story: does his girlfriend have real feelings for Blade? Is there more to his father than his inability to stay clean and sober? At the center is Blade, fully realized and achingly real in his pain and confusion.

A contemporary hero’s journey, brilliantly told. (Verse fiction. 14-adult)

Pub Date: Aug. 1, 2017

ISBN: 978-0-310-76183-9

Page Count: 464

Publisher: Blink

Review Posted Online: May 1, 2017

Kirkus Reviews Issue: May 15, 2017

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Engrossing, contemplative, and as heart-wrenching as the title promises.

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What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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