Between the dizzying sums lost and gained, Zacks offers a rollicking history perfect for Twain’s countless fans.
An amusing, singular account of the world tour by the nation’s most famous humorist, chased by creditors.
Zacks (Island of Vice: Theodore Roosevelt's Doomed Quest to Clean Up Sin-Loving New York, 2012, etc.) journeys with Mark Twain (1835-1910) on his around-the-world tour in 1896, when he peddled his “greatest hits” to live admiring audiences in order to gain enough money to keep his creditors at home in check. Having made several disastrous investments—e.g., buying a publishing house and putting his nephew in charge and backing James W. Paige’s pie-in-the-sky mechanical typesetter—Twain also had to support his heiress wife, Livy, and three daughters in grand style in Paris. On the advice of his friend and fellow investor, oil baron H.H. Rogers, Twain turned over all of his assets, including his book copyrights and Paige stock, to his wife to avoid persecution and embarked, with Livy and middle daughter Clara, on a world tour as essentially a stand-up comedian. He offered snippets from his more hilarious material while drumming up thousands of dollars to pay the creditors. Zacks has thoroughly mined the notebooks Twain kept on the tour—which detailed his “almost bizarre” range of interests: “religious preferences in ant colonies, worst public floggings, the anonymity of executioners, the insecurities of God”—and letters home to the two daughters who stayed behind, while tracking the family’s progress across Australia, New Zealand, India, South Africa, and London. Apparently, Twain was beginning to enjoy himself immensely, and these snippets of his performances are endearing and affecting. Although the news of the sudden death of daughter Susy in 1896 dampened the family’s homecoming, Twain was able to recoup many of his losses with new publishing and magazine contracts—and thanks to the financial wiliness of Rogers.
Between the dizzying sums lost and gained, Zacks offers a rollicking history perfect for Twain’s countless fans.Pub Date: April 19, 2016
ISBN: 978-0-385-53644-8
Page Count: 480
Publisher: Doubleday
Review Posted Online: Feb. 2, 2016
Kirkus Reviews Issue: Feb. 15, 2016
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and...
A dense, absorbing investigation into the medical community's exploitation of a dying woman and her family's struggle to salvage truth and dignity decades later.
In a well-paced, vibrant narrative, Popular Science contributor and Culture Dish blogger Skloot (Creative Writing/Univ. of Memphis) demonstrates that for every human cell put under a microscope, a complex life story is inexorably attached, to which doctors, researchers and laboratories have often been woefully insensitive and unaccountable. In 1951, Henrietta Lacks, an African-American mother of five, was diagnosed with what proved to be a fatal form of cervical cancer. At Johns Hopkins, the doctors harvested cells from her cervix without her permission and distributed them to labs around the globe, where they were multiplied and used for a diverse array of treatments. Known as HeLa cells, they became one of the world's most ubiquitous sources for medical research of everything from hormones, steroids and vitamins to gene mapping, in vitro fertilization, even the polio vaccine—all without the knowledge, must less consent, of the Lacks family. Skloot spent a decade interviewing every relative of Lacks she could find, excavating difficult memories and long-simmering outrage that had lay dormant since their loved one's sorrowful demise. Equal parts intimate biography and brutal clinical reportage, Skloot's graceful narrative adeptly navigates the wrenching Lack family recollections and the sobering, overarching realities of poverty and pre–civil-rights racism. The author's style is matched by a methodical scientific rigor and manifest expertise in the field.
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and Petri dish politics.Pub Date: Feb. 9, 2010
ISBN: 978-1-4000-5217-2
Page Count: 320
Publisher: Crown
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Jan. 1, 2010
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