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IDENTICAL MISFORTUNE

A grim and engrossing procedural with a stellar cast.

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A convict takes over her identical twin sister’s life in New Orleans, only to arouse the suspicions of a clever, intuitive detective in Zappa’s debut thriller.

Veronica Westbrook has never met her twin, Ann Livingston, as they were adopted at birth by two separate families. While serving time in prison for running a con on a woman with Alzheimer’s disease, Veronica receives a letter from Ann, who hopes that they can connect. Veronica has no interest in a reunion, but she does respond favorably to the fact that Ann has a wealthy husband, Ben. She concocts a plan to steal her sister’s identity, which, soon after her release, entails shadowing and then murdering Ann. Veronica subsequently fakes a car accident and resultant amnesia—as Ann—so she can convince Ben and his family of her identity long enough to swipe millions. However, homicide detective Tammy Jo Crowder thinks that there’s a possibility someone ran “Ann” off the road, but as she investigates further, she starts to think that the accident victim intentionally drove her car into a tree. Then she finds a notable discrepancy in some medical records suggests that the woman claiming to be Ann isn’t Ann. Ben, meanwhile, is also wary, as he’s noticed subtle differences in his wife’s personality. Complicating Veronica’s plan further is that fact that her former cellmate, Sarah Booth, is out of prison; she’s privy to the con and demands a piece of the pie. After transferring funds to a Swiss bank account, Veronica stages a suicide for a clean escape. But the cautious Crowder digs deeper to prove Veronica is on a crime spree.

Zappa fills this often somber but energetic tale with wonderfully complex characters. Veronica isn’t a one-note villain; she’s a sociopath who doesn’t experience a normal human range of emotion, and the story touches on her background (namely, regarding her and Ann’s biological mother). At the same time, Crowder isn’t a squeaky-clean hero; at one point, for instance, she acquires the aforementioned medical records illegally. She’s nevertheless an admirable detective who resists when her superiors want to close the case; readers will, of course, cheer her on, knowing that her conjectures are often spot-on. As Veronica’s scheme ultimately takes her out of the United States, new characters appear to great effect, including someone who’s gunning for the con woman, Will Goodman. The dialogue-heavy story predominantly consists of Veronica executing con-game manipulations and Crowder mulling over case details, but it generally maintains a fast pace. Indeed, Zappa largely eschews graphic depictions of sex and murder. Even during the final act, which includes confrontations between multiple characters, the author doesn’t linger on violence. Unfortunately, there are some blunders that are particularly noticeable as the detective delves into the twins’ history. For example, the age of Ann’s daughter, Meg, doesn’t match her date of birth.Although this novel works as a stand-alone, the author leaves open the possibility of a sequel.

A grim and engrossing procedural with a stellar cast.

Pub Date: July 31, 2020

ISBN: 978-1-922329-04-2

Page Count: 356

Publisher: AIA Publishing

Review Posted Online: May 19, 2020

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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BRAIN DAMAGE

Starts with a bang and closes with a knockout punch of an ending.

A violent attack hijacks a woman’s memory in this novel of domestic suspense.

McFadden wastes no time pulling the trigger in this harrowing story that starts with gunfire then swiftly propels readers into a crack tale of secrets and misdirection. Originally self-published in 2016, the book carries the same formidable weight as McFadden’s later novels featuring unsuspecting women who lose their power then fight to recapture it—mostly from men who have betrayed them. That formula perfectly fits Dr. Charlotte McKenna, a 37-year-old dermatologist who isn’t looking for love until the most handsome man she’s ever seen begins to woo her. There are warning signs about Clark Douglas and Charlotte overlooks them to her detriment—but is he a killer? The novel has dual timelines split between events leading up to the day Charlotte barely survives a head wound meant to kill her and the months afterward, when she struggles to reclaim her memory and her mobility. In real life, McFadden is a physician trained to treat brain injuries. Her expertise gives Charlotte’s rehabilitation authenticity, and her writing talent makes it interesting and engaging. As good as that timeline is, readers will yearn to get back to the alternate timeline about who wants Charlotte dead. It’s only a matter of time before Charlotte starts to remember who tried to kill her, and the clock is ticking toward their next attempt. McFadden dishes up plenty of suspects: Charlotte’s secretive husband, Clark; a former patient turned stalker who confronts Charlotte on her honeymoon; and the angry husband of a patient who blames Charlotte for his wife leaving him. Though the story is delicious and dark, McFadden brightens things up with a possible love interest for Charlotte and a surprise ending sure to please the author’s many fans.

Starts with a bang and closes with a knockout punch of an ending.

Pub Date: Aug. 25, 2026

ISBN: 9781464249617

Page Count: 384

Publisher: Poisoned Pen

Review Posted Online: July 6, 2026

Kirkus Reviews Issue: Aug. 1, 2026

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