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ROUTE 66 STILL KICKS

DRIVING AMERICA'S MAIN STREET

A snooze. There’s no ill intent here, but so important a road deserves a better book.

An uninspiring grab bag of a journey down the storied highway.

Route 66 is crumbling in spots, even gone to grass and dirt across decommissioned stretches along its path. But it lives on, largely because of Bobby Troup’s musical anthem, given in incomplete form to Nat King Cole and forged in his hands into a pop hit. The best part of Antonson’s (To Timbuktu for a Haircut: A Journey Through West Africa, 2008, etc.) grinding biography is his look at Troup’s song; given the importance of Albuquerque, N.M., as a waypoint along the route, he wonders why it isn’t celebrated in the song. The author travels the length of the highway, stuffing his narrative with as many anecdotes and oddments as he can cram in, with the result that the book has a tight-as-a-tick bloat to it. Some of them do useful work; Antonson does a good job, for instance, of considering the contributions of documentary photographer Dorothea Lange to the making of the Route 66 image in the American mind. But others are there just to be there, it seems, from the painfully obvious (“ ‘Joliet’ Jake Blues, a character portrayed in the 1980 Blues Brothers movie by actor John Belushi, drew his nickname from this town”) to the painfully overstretched (of Mickey Mantle: “many people stopped caring—not unlike the highway he called home”). A moment of confused dialogue concerning whether the author of the line “Standing on a corner in Winslow, Arizona” was Jackson Browne or Savoy Brown is emblematic—the answer is easy to look up, utterly unimportant and well-known to anyone who cares about such things.

A snooze. There’s no ill intent here, but so important a road deserves a better book.

Pub Date: Sept. 1, 2012

ISBN: 978-1-62087-300-7

Page Count: 384

Publisher: Skyhorse Publishing

Review Posted Online: July 28, 2012

Kirkus Reviews Issue: Aug. 15, 2012

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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