What would be an accomplishment for a beginner is simply workmanlike from Bass. Civilization never seemed so far away.
More tales on life lived at the cusp of wilderness from the prolific animal lover (Brown Dog of the Yaak, 1999, etc.).
Bass’s characters are never quite happy with the civilization they leave behind, or the wilds that ultimately threaten them when they enter it. They are never at home, always longing for a perfection imagined or simply impossible. The title story recounts a woman’s experience beneath the ice ceiling of a lake that froze before it drained, and becomes a meditation on the stillness of solitude in the unlikeliest of greenhouses; in “Swans,” the narrator’s neighbors live a love story about the joys and dangers of life lived in the near wild; “The Prisoners” concerns three men whose encounter with a prison bus on their way to a weekend fishing trip reveals that they’ve outgrown neither their adolescence nor their testosterone; “The Fireman” is a lyric excursion in which every apocryphal tale of firefighting is recycled in an effort to make firefighters seem even more brave and heroic; “The Cave” introduces Russell and Sissy, an unlikely couple who discover their primal selves in a descent into an abandoned coal mine, and who reappear in “Eating”; “President’s Day” sees the occasion of a friend’s eye surgery become the opportunity for a young narrator to reflect on his accumulation of youthful wisdom; Thomas Jefferson’s Monticello becomes an expression of civilization in “The Distance,” its ambiguous grandeur forcing a young man to question what our gadgetry has done to our social conscience; and “Two Deer” recycles more apocryphal stories of deer accidents as a nature novice reflects on both the lives and habits of ungulates and his wife, and, of course, failed love.
What would be an accomplishment for a beginner is simply workmanlike from Bass. Civilization never seemed so far away.Pub Date: July 23, 2002
ISBN: 0-618-13932-X
Page Count: 192
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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