A tiny but remarkable one-day adventure that may well ignite entomological excitement in its readers.
A honeybee scout finds a nectar-rich prairie and returns to the hive to tell her sisters.
Brilliant colors capture readers right away, the morning sky honey yellow and the grass and foliage bright green. The prairie is a riot of color and variety—black-eyed Susans, purple coneflowers, bee balm, and more. The scout heads back to the hive for the titular dance, diagrammed against the comb. Chrustowski's simple language, appropriate for preschoolers and early-elementary children, captures the basics of the waggle dance in broad gestures: it describes a figure eight; its length indicates distance. Further detail is provided in an author's note. Cut-paper collage and colored pencils visually define bees, flowers, and hive boxes, both inside and out. The dance acts as the story's hinge; afterward a whole squadron of forager bees heads back to the prairie to gather nectar and pollen in another glut of color. The use of the second person invites children to identify first with the scout bee and then the foragers, a device that's reinforced by frequent close-ups. The tale is pleasingly bee-focused despite the depiction of a man-made hive; the emphasis is on bee communication and behavior, not beekeeping or protection, though respect for the insects is implicit.
A tiny but remarkable one-day adventure that may well ignite entomological excitement in its readers. (Informational picture book. 3-7)Pub Date: June 16, 2015
ISBN: 978-0-8050-9919-5
Page Count: 32
Publisher: Henry Holt
Review Posted Online: March 2, 2015
Kirkus Reviews Issue: March 15, 2015
A reassuring riff on embracing imperfections.
A young rabbit frets about her upcoming violin performance in Icelandic singer-songwriter Laufey’s literary debut.
Mei Mei’s dream—“to share her music with the world”—is about to come true. She’s having her very first recital, complete with an orchestra, at the H’Opera House. But the day before the concert, Mei Mei is racked with anxiety. What if she plays a bum note in front of everyone? Sure enough, the worst happens mid-performance: She hits a clinker. But by remembering her mom’s reassuring sentiments from the night before (“Feel the wind…find the notes to make it right”), Mei Mei summons the strength to soldier on, and “wrong notes become right. Dissonance becomes beautiful.” At times, it all feels more like a resilience parable than a story, and the writing can be precious (“The flutter of butterflies wakes Mei Mei from her slumber”). Still, the message is solid, bolstered by O’Hara’s pencil and watercolor illustrations, which are plush-toy soft—fitting, as even prior to this book’s publication, a stuffed Mei Mei has been for sale at Grammy winner Laufey’s website. The tale features an all-animal, all-adorable cast, and endearingly, the art betrays no hint of modern times. A standout image presents Mei Mei onstage, temporarily incapacitated by her mistake and imagining her fellow musicians and their instruments with the color-blasted menace of an expressionist painting.
A reassuring riff on embracing imperfections. (author’s note, glossary) (Picture book. 3-7)Pub Date: April 21, 2026
ISBN: 9798217051748
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
Familiarity breeds a birthday for the ages in this party worth attending.
Don’t let the Pigeon ruin his own special day!
Anyone who has ever encountered the title character in any of his books—whether his first, Don’t Let the Pigeon Drive the Bus (2003), or one of its many sequels—will understand that the bird’s innate self-love drives his every interaction. Little wonder, then, that he’s thrilled about his own “bird-day.” He has the hat. He has his “FANCY PLUMAGE.” And, best of all, he will get to blow out a candle “on my bird-day hot dog!” As he revels in the knowledge that this day is all for him, comeuppance is lurking. Someone has already blown out the bird-day candle—and eaten half the hot dog. It turns out that the Pigeon’s frenemy, the Duckling, has the same bird-day—as do a slew of newly hatched chicks. The Pigeon’s obligatory eight-panel freakout ensues. “What am I—invisible? I just want to be seen,” he whimpers, and when he receives some much-needed reassurance, he settles down and willingly shares his special day. While the switch from unapologetic narcissism to mature acceptance happens in the record-breaking span of two pages, the book is as enchanting as the Pigeon’s earlier outings. Even as it walks in the footsteps of its predecessors, there’s no denying the fun to be had.
Familiarity breeds a birthday for the ages in this party worth attending. (Picture book. 3-6)Pub Date: March 31, 2026
ISBN: 9781454999621
Page Count: 40
Publisher: Union Square Kids
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
