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Driven

AN ANGELA HARWELL NOVEL

A straightforward crime thriller with a few additional layers of powerful emotion.

Awards & Accolades

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A police detective pursues a dangerous gang leader in Jacob’s debut thriller.

A vicious beating puts Detective Angela Harwell on the hunt for Tyrone “T-Bone” Reed, a violent gangster who leads a crime syndicate known as the Family. Undeterred by the gangster’s infamous reputation, Harwell tries to track down the elusive figure, motivated in part by her relationship with the victim as well as her own past as a victim of domestic abuse. Meanwhile, T-Bone enlists his crew to help cover evidence of his crime, and as Harwell’s investigation furthers, his effort becomes deadly. Harwell receives unlikely help from one of Tyrone’s closest associates, Danny, a witness to the beating that brought to the surface long-harbored doubts about his involvement with the Family. Knowing that the only way to escape the Family and protect his family is to stop Tyrone, Danny teams up with Harwell and DJ Sanders, a young Navy SEAL whose father was murdered by Tyrone. Recurring themes of abuse permeate the novel, most prominently in the protagonist’s childhood abuse and her subsequent work as a domestic violence detective. More subtly, interactions among Tyrone and his fellow gang members suggest the cyclical nature of abuse, a notion revealed in the vivid asides that frequently interject the narrative: “His childhood, and innocence, seemed hopelessly, unbearably distant. It was as if he’d become an adult at age six, right around the time his father left.” The weighty nature of these themes can bog down the narrative’s drive, which, despite its quick unraveling, sometimes strays too close to melodrama. The novel might also feel unrealistic to those looking for a gritty, modern take on the genre. Nevertheless, the intense climax is befitting an action film.

A straightforward crime thriller with a few additional layers of powerful emotion.

Pub Date: Jan. 1, 2015

ISBN: 978-1-5060-2907-8

Page Count: 276

Publisher: CreateSpace

Review Posted Online: Aug. 5, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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