A brisk, buffed-up finish threaded with inner and outer, not to mention sartorial, changes.

THE TOWER OF NERO

From the Trials of Apollo series , Vol. 5

In this tumultuous series closer, Apollo, transformed into a mortal teenager, takes on both a deified emperor in a luxurious Manhattan high-rise and an older adversary.

Lester/Apollo’s coast-to-coast quest reaches its climactic stage as, with help from both eager squads of fledgling demigods from Camp Half-Blood and reluctant allies from realms deep below New York, he invades the palatial lair of Emperor Nero—followed by a solo bout with another foe from a past struggle. Riordan lays on the transformation of the heedless, arrogant sun god to a repentant lover of his long-neglected semidivine offspring and of humanity in general, which has served as the series’ binding theme, thickly enough to have his humbled narrator even apologizing (twice!) to his underwear for having to change it periodically. Still, the author delivers a fast, action-driven plot with high stakes, lots of fighting, and occasional splashes of gore brightened by banter and silly bits, so readers aren’t likely to mind all the hand-wringing. He also leaves any real-life parallels to the slick, megalomaniacal, emotionally abusive Nero entirely up to readers to discern and dishes out just deserts all round, neatly tying up loose ends in a set of closing vignettes. The supporting cast is predominantly White, with passing mention of diverse representation.

A brisk, buffed-up finish threaded with inner and outer, not to mention sartorial, changes. (glossary) (Fantasy. 10-14)

Pub Date: Oct. 6, 2020

ISBN: 978-1-4847-4645-5

Page Count: 416

Publisher: Disney-Hyperion

Review Posted Online: Oct. 22, 2020

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Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.

CAPTAIN UNDERPANTS AND THE TERRIFYING RETURN OF TIPPY TINKLETROUSERS

From the Captain Underpants series , Vol. 9

Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.

Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…

Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)

Pub Date: Aug. 28, 2012

ISBN: 978-0-545-17534-0

Page Count: 304

Publisher: Scholastic

Review Posted Online: June 20, 2012

Kirkus Reviews Issue: July 15, 2012

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Serious themes lightened by comedic touches; the strong emotional attachments will linger with readers.

ALWAYS, CLEMENTINE

Letters from a super-intelligent mouse to the beloved chimpanzee she leaves behind when she escapes a research lab.

Poignant, loving, and threaded through with the joy of discovery, the letters that Clementine mentally composes to her gentle simian friend tell a tale that takes suspenseful turns while affirming tolerance and self-expression. Thanks to tweaked DNA, she’s thinking about prime numbers the day she is born, helps other mice navigate mazes, and figures out how to escape her cage at night and sign with the lab’s sad, affectionate chimp, Rosie. When a guilt-ridden research assistant spirits her and another mouse subject out of the lab, leaving them in a nearby mailbox, she begins a series of reports to Rosie about the wonders of the outside world. Eleven-year-old Gus and his grandfather welcome the fugitives rather than turn them in for the large reward offered by the lab when the mousenapping is discovered. They create a storm of public protest against animal experimentation by televising a chess match in which Clementine beats five experienced human players simultaneously. Along with offering an optimistic, aspirational view of human nature as she winds the story to a joyous conclusion, Sorosiak tucks in a subplot around nonverbal Hamlet, the other mouse escapee, who constructs a model of Notre Dame out of wood chips, as food for further thought about different intelligences. The human cast seems to be mostly White.

Serious themes lightened by comedic touches; the strong emotional attachments will linger with readers. (Fiction. 8-12)

Pub Date: Sept. 6, 2022

ISBN: 978-1-5362-2884-7

Page Count: 304

Publisher: Walker US/Candlewick

Review Posted Online: June 22, 2022

Kirkus Reviews Issue: July 15, 2022

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Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 13, 2013

Kirkus Reviews Issue: April 15, 2013

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