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THE LAST FLIGHT HOME

By-the-book military-SF with a dash of chaste romance and an odd infusion of high fantasy.

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In Hausler’s SF novel, a human soldier finds unexpected romance with a human-alien doctor after surviving exposure to an alien superweapon.

By the 54th century, humanity has been much altered by contact with the blue-skinned alien Cybrinthians, who arrived as planetary-disaster refugees, bringing advanced technology. This, in turn, triggered the first Inter-Stellar War between human separatists and the human-Cybrinthian alliance,leaving Earth lifeless. Space-based survivors—the Federal Alliance—rebounded across the cosmos. Lately, they’ve endured new hostilities from the ambitious alien Gnorac Confederation, armed with a new neutrino cannon (or “N-cannon”). Human Sgt. John Wayne “JT” Thomas is the sole survivor of cannon devastation that destroyed a fleet, and scientists are amazed at his good health. A part-Cybrinthian medic, Aurelle Gifford, ministers to him, and they discover a strong mutual attraction. JT’s unique physiology makes him a prize research subject for how to counter the N-cannon. Partway through the narrative, an entirely different setting emerges featuring heroic-fantasy elements, such as dragons, elves, knights, and talking trees. In the far future, such mythic stuff is real, with fantasy folk using spaceships to cross over from their spirit realm. When debris from JT’s shattered warship falls onto fae forests, the spirit residents take notice. Readers may find Hausler’s cross-pollination of low-intensity sword-and-sorcery fantasy with military-service SF to be a peculiar brew. In addition, the nasty Gnoracs aren’t very well fleshed out, even though a substantial subplot is devoted to the plight of one; instead they come off like Soviets or East Germans from a Cold War–era thriller. The author’s affection for armed forces comes through loud and clear, however, with stirring troop movements and massive space-battle set pieces. Quite a bit of questing and questioning separates these sections, but overall, the straightforward storyline proceeds with minimal complication.

By-the-book military-SF with a dash of chaste romance and an odd infusion of high fantasy.

Pub Date: Dec. 8, 2023

ISBN: 9798989612611

Page Count: 288

Publisher: Federal Service Books

Review Posted Online: April 30, 2024

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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GOLDEN SON

From the Red Rising Trilogy series , Vol. 2

Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...

Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.

The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.  

Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.

Pub Date: Jan. 6, 2015

ISBN: 978-0-345-53981-6

Page Count: 448

Publisher: Del Rey/Ballantine

Review Posted Online: Oct. 22, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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