Carried along by the bumptious rollick of its language, this tale is full of sound and fury, signifying literally everything.
Odd-couple asteroid miners Quiver and Mic—a manufactured human and her artificial companion—explore the post-Earth universe in this surrealist SF tour de force.
Quiver is a “transitional prototype...gestated in a dynamic carbon envelope” back on the moon. Mostly human but for the small detail of her chemical incubation, she nevertheless feels an acute sense of alienation. Mic, her fully robot AI companion, has been programmed both in the science of interstellar “rare mineral reconnaissance” and in the art of soothing Quiver when she “flips her fuses.” Mic is also highly schooled in the cultural mores of the gone Earth, erased in “a cascade of catastrophes” which flung the remnants of the human race to Elsewhere, where they attempt to regroup. Via frequent data-dumps from Side Wheel, a virtual database of all things terrestrial, Mic has trained himself as a geisha, memorized the entire discography of “diva[s] from the distant past” like FKA twigs or Nicki Minaj, and developed a deeply erotic obsession with all things Al Pacino. Meanwhile, Quiver spends her time in The Lights—their spaceship’s version of Star Trek’s holodeck—immersed in a Jungian Eden that is co-inhabited by a mysterious redheaded woman. When an argument between the two miners escalates into name-calling (“ 'You forking self-righteous GIZMO!' [Quiver] shrieks….'You maddening THINGAMABOB' ”), Mic comes to a realization about his own selfhood. In the resulting existential backwash, the two badly bungle a rare mineral retrieval. At this, Mic and Quiver decide to go rogue and set a course for the planet Trafik, a fabled place of intergalactic free spirits where all their fantasies (even the Al Pacino ones) just may come true. What follows is a winsome space picaresque in which surreality piles upon surreality as the ill-matched soul mates navigate the unknown universe in their search for identity, belonging, and the sensual pleasures of the flesh, even if that flesh is actually machine. A longtime master of the extraordinary sentence, Ducornet has outdone herself here, blending SF’s penchant for invented jargon with her own queer linguistic egalitarianism in which all adjectives describe all nouns (even such unlikely couplings as “profiterole lasers”) in a primordial soup of possibility. This slender book captivates with its ferocious curiosity, quick wit, and ultimately tender generosity.
Carried along by the bumptious rollick of its language, this tale is full of sound and fury, signifying literally everything.Pub Date: April 13, 2021
ISBN: 978-1-56689-606-1
Page Count: 128
Publisher: Coffee House
Review Posted Online: Feb. 9, 2021
Kirkus Reviews Issue: March 1, 2021
A cleverly titled, cozy SF romance that marks Thorne as a writer to watch.
After purchasing a dilapidated, century-old starship called the Destitute, Torian Razner discovers that the moss covering it is, in fact, a deeply sarcastic sentient computer with abandonment issues.
Torian’s sister, Celise, is dying. Determined to save her life by getting her to a distant planet with air she can breathe, Torian ignores her former captain Amelia Perrosk’s warning that it’s an impossible task (along with any romantic feelings she might have for Amelia). Using the only ionite bars she has to her name, Torian purchases an ancient, moss-covered alien starship that appears to be on its last legs, so to speak. She hardly expected the moss to be a sentient computer or for it to hold a century-old grudge against its former alien captain. Moss quickly proves itself to be acerbic, intelligent, and rightly angry after being having been left behind for 100 years by its former captain. The two form a reluctant and surprising alliance, Torian proving to Moss that not all captains are “dog-turd fungus,” and they both gradually evolve into the best versions of themselves, human or otherwise. It’s obvious from the early pages that Thorne has crafted a story tailored to fans of Becky Chambers’ Monk & Robot series and Martha Wells’ Murderbot Diaries. Falling somewhere between the two, this is a delightful mashup of romance, found family, and a touch of violence as Moss grapples with its feelings about its former captain and the unexpected kindness that Torian shows. Sweet without being overly saccharine, it’s a book for readers who want the adventure that comes with the vastness of outer space without its harsher realities.
A cleverly titled, cozy SF romance that marks Thorne as a writer to watch.Pub Date: July 7, 2026
ISBN: 9781250414144
Page Count: 368
Publisher: Bramble Books
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK REVIEW
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.
When a bunch of corporate assholes mark their planet for destruction, a garage band of colonists must defend their home world with the power of rock.
Slightly sidestepping his frenetic litRPG—literary role-playing game—doorstoppers, here Dinniman takes on capitalism, propaganda, xenophobia, and violence as entertainment. Thankfully for readers, it’s all wrapped in the usual profane, adolescent humor, and SF readers will have a ball. A couple of hundred years after they left Earth, the inhabitants of the interstellar colony of New Sonora weren’t expecting much in the way of new threats, especially after a mysterious illness killed almost everyone between the ages of 30 and 60. That disaster left only the young and the old on the populated planet, where farming is enabled by highly accelerated AI and people are generally cool with each other. But when drummer Oliver Lewis stumbles across a foul-mouthed killer mech piloted by a child, he realizes that something’s definitely fishy. Earth, it seems, has classified the New Sonorans as non-human and scheduled their destruction as a paid, five-day combat game. Apex Industries, led by lead mercenary Eli Opel, has reverse-engineered Ender’s Game and is turning loose its players with real bullets and bombs on the population of New Sonora. The resistance is a weird bunch, led by proto-slacker Oliver; his little sister, Lulu; and his ex-girlfriend, documentary filmmaker and burgeoning revolutionary Rosita Zapatero, as well as the other members of Oliver’s band, the Rhythm Mafia. Thankfully, they also have Roger, the last functioning AI on the planet, though Oliver’s grandfather permanently programmed it to nannybot mode as a dying joke. Call the book overlong—the battle scenes often feel like watching someone play a videogame—but the humor and the execution are cutting without being mean and there’s almost always a point.
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.Pub Date: Feb. 10, 2026
ISBN: 9780593820308
Page Count: 448
Publisher: Ace/Berkley
Review Posted Online: Dec. 12, 2025
Kirkus Reviews Issue: Jan. 15, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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