A heart song for all readers who have ever felt like strangers in their own skins

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Redgate deftly harmonizes a lighthearted plot with an exploration of privilege, identity, and personal agency.

Jordan Sun is a Chinese-American high school junior from a working-poor family who feels a bit out of place at her prestigious, arts-focused boarding school in upstate New York. Though the school’s diversity policy is bringing in more students from minority backgrounds, most of her classmates are still wealthy and white. After continued rejection for roles in the theater department, Jordan decides to try her hand at something new and joins one of the school’s legendary a cappella groups: a traditionally all-male one. To audition, Jordan adopts the male persona of Julian, and when Julian is accepted to fill a tenor spot with the group, Jordan must slip into the role of her life. As a first-person narrator, Jordan is often dryly sarcastic, but it is her lyrical prose that brings depth and empathy to a story that could otherwise be another needless riff on the cross-dressing trope. “It’s too simple to hate the people who have doorways where you have walls,” she reflects. Wearing Julian’s identity causes Jordan to question her assumptions regarding femininity, masculinity, and sexuality. Jordan ultimately shatters her own self-limiting expectations and in doing so encourages readers to do likewise.

A heart song for all readers who have ever felt like strangers in their own skins . (Fiction. 13-18)

Pub Date: May 2, 2017

ISBN: 978-1-4197-2373-5

Page Count: 400

Publisher: Amulet/Abrams

Review Posted Online: March 6, 2017

Kirkus Reviews Issue: March 15, 2017

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This story is necessary. This story is important.

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THE HATE U GIVE

Sixteen-year-old Starr Carter is a black girl and an expert at navigating the two worlds she exists in: one at Garden Heights, her black neighborhood, and the other at Williamson Prep, her suburban, mostly white high school.

Walking the line between the two becomes immensely harder when Starr is present at the fatal shooting of her childhood best friend, Khalil, by a white police officer. Khalil was unarmed. Khalil’s death becomes national news, where he’s called a thug and possible drug dealer and gangbanger. His death becomes justified in the eyes of many, including one of Starr’s best friends at school. The police’s lackadaisical attitude sparks anger and then protests in the community, turning it into a war zone. Questions remain about what happened in the moments leading to Khalil’s death, and the only witness is Starr, who must now decide what to say or do, if anything. Thomas cuts to the heart of the matter for Starr and for so many like her, laying bare the systemic racism that undergirds her world, and she does so honestly and inescapably, balancing heartbreak and humor. With smooth but powerful prose delivered in Starr’s natural, emphatic voice, finely nuanced characters, and intricate and realistic relationship dynamics, this novel will have readers rooting for Starr and opening their hearts to her friends and family.

This story is necessary. This story is important. (Fiction. 14-adult)

Pub Date: Feb. 28, 2017

ISBN: 978-0-06-249853-3

Page Count: 464

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Dec. 6, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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Though constrained, the work nevertheless stands apart in a literature that too often finds it hard to look hard truths in...

DEAR MARTIN

In this roller-coaster ride of a debut, the author summons the popular legacy of Martin Luther King Jr. to respond to the recent tragic violence befalling unarmed black men and boys.

Seventeen-year-old black high school senior Justyce McAllister, a full-scholarship student at the virtually all-white Braselton Prep, is the focus. After a bloody run-in with the police when they take his good deed for malice, Justyce seeks meaning in a series of letters with his “homie” Dr. King. He writes, “I thought if I made sure to be an upstanding member of society, I’d be exempt from the stuff THOSE black guys deal with, you know?” While he’s ranked fourth in his graduating class and well-positioned for the Ivy League, Justyce is coming to terms with the fact that there’s not as much that separates him from “THOSE black guys” as he’d like to believe. Despite this, Stone seems to position Justyce and his best friend as the decidedly well-mannered black children who are deserving of readers’ sympathies. They are not those gangsters that can be found in Justyce’s neighborhood. There’s nuance to be found for sure, but not enough to upset the dominant narrative. What if they weren’t the successful kids? While the novel intentionally leaves more questions than it attempts to answer, there are layers that still remain between the lines.

Though constrained, the work nevertheless stands apart in a literature that too often finds it hard to look hard truths in the face. Take interest and ask questions. (Fiction. 14-18)

Pub Date: Oct. 17, 2017

ISBN: 978-1-101-93949-9

Page Count: 224

Publisher: Crown

Review Posted Online: Aug. 7, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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