A promising premise, a flawed execution, and a sense that the real story won’t develop until Book 2: somehow both...

THE BONE WITCH

From the Bone Witch series , Vol. 1

Something of a high-fantasy Memoirs of a Geisha, Chupeco’s latest excels in originality.

The asha are known for performing, fighting, and magic; beautiful, brown-skinned Tea is taken from her provincial village to Kion to begin training as a dark (in magic) asha when she accidentally raises her dead brother. Chapters detailing young Tea’s early training through her debut as an asha intercut with 17-year-old Tea on a lonely beach raising monsters and planning war, relating her past to a nameless bard. The level of detail is astounding, confusing, but nevertheless fascinating; politics both local (the brief backmatter is a bit of a guide) and magical (the origin tale of the Faceless and heartsglass, introduced in the prologue, finally appears at the three-quarter mark) permeate everything. Multiple characters, including a dead brother and a handsome prince, surround stubborn, headstrong Tea as she finds herself implicated in events she doesn’t understand; the interstitial chapters make it clear that learning more will not make things better. These also slow the pace; they force an artificial sense of urgency in an otherwise slow, sensory journey and hijack the flow of Tea’s adventures. Chupeco is a writer to watch who deserves props for the breadth of her story, but she doesn’t entirely succeed here.

A promising premise, a flawed execution, and a sense that the real story won’t develop until Book 2: somehow both exhilarating and disappointing. (Fantasy. 13 & up)

Pub Date: March 7, 2017

ISBN: 978-1-4926-3582-6

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 17, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)

THE WAY I USED TO BE

In the three years following Eden’s brutal rape by her brother’s best friend, Kevin, she descends into anger, isolation, and promiscuity.

Eden’s silence about the assault is cemented by both Kevin’s confident assurance that if she tells anyone, “No one will ever believe you. You know that. No one. Not ever,” and a chillingly believable death threat. For the remainder of Eden’s freshman year, she withdraws from her family and becomes increasingly full of hatred for Kevin and the world she feels failed to protect her. But when a friend mentions that she’s “reinventing” herself, Eden embarks on a hopeful plan to do the same. She begins her sophomore year with new clothes and friendly smiles for her fellow students, which attract the romantic attentions of a kind senior athlete. But, bizarrely, Kevin’s younger sister goes on a smear campaign to label Eden a “totally slutty disgusting whore,” which sends Eden back toward self-destruction. Eden narrates in a tightly focused present tense how she withdraws again from nearly everyone and attempts to find comfort (or at least oblivion) through a series of nearly anonymous sexual encounters. This self-centeredness makes her relationships with other characters feel underdeveloped and even puzzling at times. Absent ethnic and cultural markers, Eden and her family and classmates are likely default white.

Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)

Pub Date: March 22, 2016

ISBN: 978-1-4814-4935-9

Page Count: 384

Publisher: McElderry

Review Posted Online: Dec. 16, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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