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NIGHT FLYING

The Hansen women have a secret: generations of them have had the power to fly. It is both a gift and a burden, for there is a dark side to this magical ability. For reasons of self-preservationn, long-held rules and taboos, which are enforced by a cold, unbending Grandmother, control this ability. In adherence to family tradition, 16-year-old Georgia will be initiated in a ceremony for her first solo flight. But the strictly regulated family dynamic is interrupted by the appearance of Georgia’s dangerous, rule-breaking Aunt Carmen the week before the initiation. Carmen has secrets of her own that upset the equilibrium, set her sisters free of their domineering mother, and cause Georgia not only to know the secret of her own birth but also to make her first solo flight independently and in the daylight—which is strictly forbidden. In this unusual coming-of-age story, Georgia negotiates the universal tension between safety, offered by Grandmother’s control, and freedom and independence, offered by Carmen. She also faces the added complexity of whether to tell the truth about her solo and face banishment or to lie and surrender control of her own life. This first novel (winner of the Delacorte Prize) is metaphorical in every way, yet the oft-used symbol of flight is given an original emphasis. The writing is full of apt and innovative images (e.g., Beulah the old Volvo wagon that is like a Southern woman, “She just has weight and composure”). The beauty and the danger of flight are skillfully imagined. While some readers may reprove the almost misandristic absence of men, for readers who suspend disbelief, the richly developed, seclusive fantasy world of the Hansen women with its own history, rituals, and mores will fascinate, and the conclusion, with the promise of Georgia’s safe landing, will satisfy. (Fiction. 10-14)

Pub Date: Nov. 1, 2000

ISBN: 0-385-32748-X

Page Count: 144

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2000

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NOWHERE BOY

A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high...

Two parallel stories, one of a Syrian boy from Aleppo fleeing war, and another of a white American boy, son of a NATO contractor, dealing with the challenges of growing up, intersect at a house in Brussels.

Ahmed lost his father while crossing the Mediterranean. Alone and broke in Europe, he takes things into his own hands to get to safety but ends up having to hide in the basement of a residential house. After months of hiding, he is discovered by Max, a boy of similar age and parallel high integrity and courage, who is experiencing his own set of troubles learning a new language, moving to a new country, and being teased at school. In an unexpected turn of events, the two boys and their new friends Farah, a Muslim Belgian girl, and Oscar, a white Belgian boy, successfully scheme for Ahmed to go to school while he remains in hiding the rest of the time. What is at stake for Ahmed is immense, and so is the risk to everyone involved. Marsh invites art and history to motivate her protagonists, drawing parallels to gentiles who protected Jews fleeing Nazi terror and citing present-day political news. This well-crafted and suspenseful novel touches on the topics of refugees and immigrant integration, terrorism, Islam, Islamophobia, and the Syrian war with sensitivity and grace.

A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high values in the face of grave risk and succeed in drawing goodwill from others. (Historical fiction. 10-14)

Pub Date: Aug. 7, 2018

ISBN: 978-1-250-30757-6

Page Count: 368

Publisher: Roaring Brook Press

Review Posted Online: June 10, 2018

Kirkus Reviews Issue: July 1, 2018

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ASHES TO ASHEVILLE

Some readers may feel that the resolution comes a mite too easily, but most will enjoy the journey and be pleased when...

Two sisters make an unauthorized expedition to their former hometown and in the process bring together the two parts of their divided family.

Dooley packs plenty of emotion into this eventful road trip, which takes place over the course of less than 24 hours. Twelve-year-old Ophelia, nicknamed Fella, and her 16-year-old sister, Zoey Grace, aka Zany, are the daughters of a lesbian couple, Shannon and Lacy, who could not legally marry. The two white girls squabble and share memories as they travel from West Virginia to Asheville, North Carolina, where Zany is determined to scatter Mama Lacy’s ashes in accordance with her wishes. The year is 2004, before the Supreme Court decision on gay marriage, and the girls have been separated by hostile, antediluvian custodial laws. Fella’s present-tense narration paints pictures not just of the difficulties they face on the trip (a snowstorm, car trouble, and an unlikely thief among them), but also of their lives before Mama Lacy’s illness and of the ways that things have changed since then. Breathless and engaging, Fella’s distinctive voice is convincingly childlike. The conversations she has with her sister, as well as her insights about their relationship, likewise ring true. While the girls face serious issues, amusing details and the caring adults in their lives keep the tone relatively light.

Some readers may feel that the resolution comes a mite too easily, but most will enjoy the journey and be pleased when Fella’s family figures out how to come together in a new way . (Historical fiction. 10-14)

Pub Date: April 4, 2017

ISBN: 978-0-399-16504-7

Page Count: 256

Publisher: Putnam

Review Posted Online: Jan. 31, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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