Chin deftly creates the palimpsest of those stories, past and present, in this candid, graceful testimony to remarkable...
This lyrical debut memoir reveals the indelible consequences of childhood abuse.
Poet and essayist Chin was raised in an atmosphere of violence. Her depressed, angry mother rejected her, and her father savagely beat her. “For as long as I can remember,” writes the author, “I knew that my parents were out of control. I knew they were capable of anything.” At the age of 11, she started running away from home; by the time she was 14, she was in jail. She spent the next years living in state-run institutions or on the streets, sleeping in stairwells “or, more often, the questionable beds of men and women.” Chin became a stripper, abused drugs and sold herself for sex. Addicted to cocaine, she realized that she had hit bottom. Drawing on a spark of inner strength, she managed to wrest control of her life, earning a GED, taking college courses and eventually completing an MFA degree. Then, in her mid-30s, married to a neurosurgeon, just having moved into their first home, she became overwhelmed with panic attacks. She was afraid to climb stairs, leave her house and drive on highways. Desperate, she sought help from an array of medical professionals, with varying success. Finally, she found a measure of peace from riding horses, particularly one skittish horse whose reaction to the world mirrored her own. Cantering, she discovered, felt “like the opposite of panic…it was only by holding on so tightly that I could begin learning how to get go.” She discovered, too, that panic “wasn’t a virus or an erratic black bird…in the end, panic was me.” Although she could not escape her past, it need not dominate the present: “No matter how many stories you put on top of the first story, the first one is always there, visible.”
Chin deftly creates the palimpsest of those stories, past and present, in this candid, graceful testimony to remarkable resilience.Pub Date: June 24, 2014
ISBN: 978-1-4767-3486-6
Page Count: 336
Publisher: Simon & Schuster
Review Posted Online: May 6, 2014
Kirkus Reviews Issue: May 15, 2014
BOOK REVIEW
PROFILES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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