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LET THE TORNADO COME

A MEMOIR

Chin deftly creates the palimpsest of those stories, past and present, in this candid, graceful testimony to remarkable...

This lyrical debut memoir reveals the indelible consequences of childhood abuse.

Poet and essayist Chin was raised in an atmosphere of violence. Her depressed, angry mother rejected her, and her father savagely beat her. “For as long as I can remember,” writes the author, “I knew that my parents were out of control. I knew they were capable of anything.” At the age of 11, she started running away from home; by the time she was 14, she was in jail. She spent the next years living in state-run institutions or on the streets, sleeping in stairwells “or, more often, the questionable beds of men and women.” Chin became a stripper, abused drugs and sold herself for sex. Addicted to cocaine, she realized that she had hit bottom. Drawing on a spark of inner strength, she managed to wrest control of her life, earning a GED, taking college courses and eventually completing an MFA degree. Then, in her mid-30s, married to a neurosurgeon, just having moved into their first home, she became overwhelmed with panic attacks. She was afraid to climb stairs, leave her house and drive on highways. Desperate, she sought help from an array of medical professionals, with varying success. Finally, she found a measure of peace from riding horses, particularly one skittish horse whose reaction to the world mirrored her own. Cantering, she discovered, felt “like the opposite of panic…it was only by holding on so tightly that I could begin learning how to get go.” She discovered, too, that panic “wasn’t a virus or an erratic black bird…in the end, panic was me.” Although she could not escape her past, it need not dominate the present: “No matter how many stories you put on top of the first story, the first one is always there, visible.”

Chin deftly creates the palimpsest of those stories, past and present, in this candid, graceful testimony to remarkable resilience.

Pub Date: June 24, 2014

ISBN: 978-1-4767-3486-6

Page Count: 336

Publisher: Simon & Schuster

Review Posted Online: May 6, 2014

Kirkus Reviews Issue: May 15, 2014

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • Readers Vote
  • 21


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  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


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  • IndieBound Bestseller


  • Pulitzer Prize Finalist


  • National Book Award Winner

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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