Glowing moments of wisdom but imperfect prose.
An unexpected inheritance leads a young woman on a trip across the U.S. and Canada.
Leah Fern and her magician mother, Jeannie Starr, were part of the Blazing Calyx Carnival up until her mother left her with a friend and never returned. Fifteen years later, on her 21st birthday, Leah feels “penned in by the impenetrable wires of solitude, weighted by the kind of shapeless helplessness only the abandoned know,” and has decided to end her life. A knock interrupts her plans, however, and she receives news that her neighbor Essie East has died and left her an inheritance. After some initial reluctance due to not knowing the woman well, Leah is given a box containing a letter, a check, and an obelisk-shaped urn inlaid with gemstones containing Essie’s ashes. The letter explains that Essie knew Leah’s mother and that if Leah follows her instructions to scatter her ashes, more information about her mother will be revealed. The letter also has the address for the post office where she'll find the next letter. With each letter Leah learns more about her mother and Essie’s life. Essie describes how she befriended four kindred spirits at an artists’ colony, and they decided to perform nine full moon ceremonies across North America together—the same route Leah discovers she is following to scatter Essie’s ashes. Though this plot feels familiar, there is much to admire about the author's glittering imagination. Descriptive writing is both a strength and a weakness for Chin. The pacing is unbalanced because she spends too much time on vivid descriptions of very minor things. While beautiful, these meandering moments often untether the plot, which eventually becomes hard to recover. Nevertheless, traveling with Leah Fern and seeing the world through the eyes of an empath are enjoyable. And Chin's final piece of insight—“What we know is that even the most lost people can find their way”—reverberates through the pages.
Glowing moments of wisdom but imperfect prose.Pub Date: Oct. 4, 2022
ISBN: 978-1-612-19986-3
Page Count: 400
Publisher: Melville House
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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