A very good Fear Street book, with all that that implies.
The enduring franchise relaunches with yet another No.1.
Fear Street was never quite the brand Goosebumps was; grittier and bloodier than the latter’s Twilight Zone–esque stories. This offering hopes to leverage that grit, and it leans heavily on terror tropes of old, particularly evoking Stephen King. Of course, this is what Stine (Mary McScary, 2017, etc.) has always been best at: tossing current trends, personal fears, and literary legacies into a blender and delighting in the result. Readers will delight too. Ruth-Ann and Rebecca Fear are two affluent sisters in the 1920s, squabbling for love and control of their futures. In the present, Harmony and Marissa Fear are fighting similar psychological warfare with mixed results. Witchcraft rears its head, and the Fear family curse spans time itself and locks these two pairs of white siblings in a peculiar, terrifying dance. The excitement is in the execution, and Stine hasn’t lost his ability to pull strings and make readers squirm, flipping pages as fast as possible in anticipation for the next bloodcurdling sight. The book’s ending is a bit muddled: The resolution is creatively exciting but doesn’t make much sense when considered for internal logic. But then, Stine’s work has never been about substantive thought. Stine is about mood, tingles, and blood. This title has got plenty of that.
A very good Fear Street book, with all that that implies. (Horror. 12-16)Pub Date: July 24, 2018
ISBN: 978-0-06-269425-6
Page Count: 352
Publisher: HarperTeen
Review Posted Online: April 2, 2018
Kirkus Reviews Issue: May 15, 2018
A trilogy opener both rich and strange, if heavy at the front end.
Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.
The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.
A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)Pub Date: June 7, 2011
ISBN: 978-1-59474-476-1
Page Count: 234
Publisher: Quirk Books
Review Posted Online: March 30, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
An atmospheric and entertaining thriller perfect for snowy night chills.
A group of teens stranded in a snowstorm discovers a murderer in their midst.
While traveling on the highway to a state theater competition, Nell and her friends Min, Raven, Adam, and Jermaine are caught in a dangerous blizzard. Their teacher, Mrs. McElroy, who is driving the minivan, decides to stop for the night at the run-down and shady-looking Travel Inn and Out. The motel is labyrinthine and spooky, with dingy corridors and walls adorned with moldering kitsch. Nell and the gang meet another group of kids who are also stranded by the storm, making fast friends. A game of Two Truths and a Lie starts out flirty and fun but devolves into something more sinister when one slip of paper reads “I like to watch people die,” and “I’ve lost count of how many people I’ve killed.” The snow falls and the winds howl, and soon power and cell service are lost, cutting off the motel patrons from the outside world. As the first victim is discovered and the body count begins to grow, the terror becomes palpable. Everyone at the motel seems to have an insidious secret: Will Nell be able to uncover the killer before they strike again? An homage to Agatha Christie, Henry’s locked-room mystery is tautly plotted, with quick-moving nail-biting chapters, relatable characters, and a deftly wrought setting that paradoxically manages to feel both claustrophobic and sprawling. Nell is White; there is diversity among the secondary characters.
An atmospheric and entertaining thriller perfect for snowy night chills. (Mystery. 12-16)Pub Date: May 24, 2022
ISBN: 978-0-316-32333-8
Page Count: 288
Publisher: Christy Ottaviano Books
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
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