Quinn's third case, which anticipates cinéma vérité by nearly a century, benefits greatly from Morris' colorful...
An unconventional British inspector tracks a brutal killer who gets his lethal inspirations from movies...or may be documenting his murders on film.
A black-hooded figure seems to float unseen through the streets of London in 1914, killing with impunity. He first lands on the radar of DI Silas Quinn (The Mannequin House, 2013, etc.) when he strikes in Leicester Square outside Porrick's Picture Palace, where the detective is attending the world premiere of the German film The Eyes of the Beholder. The event is of particular interest since local tensions with Germany are building and war is on the horizon. Indeed, the imperious Lord Dunwich, also in attendance at the premiere, is rabidly ferreting out German spies. The film is graphic and horrific, depicting a serial killer and mutilated victims, one a prostitute with her eyes removed. Not far away, the hooded figure, whose creepy chapters counterpoint the main action of Quinn's investigation, claims a victim using the same modus operandi as the film's killer. The city is terrorized, and in order to unravel the complex mystery, the iconoclastic Quinn teams up with the bombastic Dunwich, forming a detective duo that poses no competition to Holmes and Watson. A lively cast of supporting characters—including dapper German barber Fritz Dortmunder, crass theater owner Magnus Porrick and starchy doctor Augustus Casaubon—adds Dickensian zest.
Quinn's third case, which anticipates cinéma vérité by nearly a century, benefits greatly from Morris' colorful period-flavor prose.Pub Date: May 1, 2014
ISBN: 978-1-78029-059-1
Page Count: 256
Publisher: Creme de la Crime
Review Posted Online: April 16, 2014
Kirkus Reviews Issue: May 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
Even readers who identify the criminal, motive, and modus operandi early on (and many readers will) can plan to stay up long...
Soldier-turned-soldier-of-fortune Jack Reacher goes after a serial killer in a conventionally but nonetheless deeply satisfying whodunit.
In today's armed services, you lose even when you win—at least if you're a woman who files a sexual harassment complaint. Amy Callan and Caroline Cooke were both successful in their suits, which ended the careers of their alleged harassers. But Callan and Cooke ended up leaving the service themselves, and now they're both dead, murdered by a diabolical perp who keeps leaving behind the same crime scene—the victim's body submerged in a bathtub filled with camouflage paint—and not a single clue to the killer's identity or the cause of death. The FBI hauls in Reacher, who handled both women's complaints as an Army MP, as a prime suspect, then offers to upgrade him to a consulting investigator when their own surveillance gives him an alibi for a third killing. No thanks, says our hero, who's taken an instant dislike to FBI profiler Julia Lamarr, until the Feds' threats against his lawyer girlfriend Jodie Jacob (Tripwire, 1999) bring him into the fold. While Reacher is pretending to study lists of potential victims and suspects and fending off the government-sponsored advances of Quantico's comely Lisa Harper, the murderer is getting ready to pounce on a fourth victim: Lamarr's stepsister Alison. This latest coup does nothing to improve relations between Reacher and the Feebees, all of them determined to prove they're the toughest hombres in the parking lot, but it does set the stage for some honest sleuthing, some treacherous red herrings, and some convincing evidence for Reacher's assertion that all that profiling stuff is just plain common sense.
Even readers who identify the criminal, motive, and modus operandi early on (and many readers will) can plan to stay up long past bedtime and do some serious hyperventilating toward the end.Pub Date: Aug. 1, 2000
ISBN: 0-399-14623-7
Page Count: 352
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
