This return to form is also a hint of new ground to be covered.
A glimpse of a West Point class ring in a pawn shop window sends Jack Reacher on his latest adventure in the 22nd entry in Child's (No Middle Name, 2017, etc.) series.
On his latest travel to nowhere, Reacher, the peripatetic badass/guardian angel, steps off a bus at a rest stop and, while stretching his legs, glimpses a ring belonging to a female cadet. Knowing what it takes to earn that ring, especially for the women who still have to prove themselves to the military, Reacher buys it and, with nothing more than the initials inscribed inside to guide him, sets out to return to it to his fellow West Point alum. Of course it lands him in trouble, this time with a ring of opioid dealers, but at least he has a former FBI agent–turned-detective and the sister of the ring's owner for company. It's a good idea to give Reacher company since he plays well with others when they're on his side. How he plays badly with those who aren't is also part of the fun. So are the clever Sherlock-ian deductive skills that Reacher, a former Army investigator, puts to good use. Blessedly, there are none of the grisly moments that broke faith with readers in the series' last installment (Night School, 2016). And the book is very smart about illegal drugs, understanding that the face of the present crisis is largely white and rural and that the government's attempt to crack down on drugs ignores both the very real pleasure and the often necessary pain relief they bring to users, especially vets. The book makes a rather icky sentimental misstep toward the end. It does, however, suggest something that has not been visible in the series' previous entries: a creeping sadness in Reacher's wanderings that, set here among the vast and empty landscapes of Wyoming, resembles the peculiarly solitary loneliness of the classic American hero.
This return to form is also a hint of new ground to be covered.Pub Date: Nov. 7, 2017
ISBN: 978-0-399-59348-2
Page Count: 384
Publisher: Delacorte
Review Posted Online: Sept. 3, 2017
Kirkus Reviews Issue: Sept. 15, 2017
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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