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You Can Leave Anytime

A MEMOIR BY ROB DINSMOOR

A funny, rambling account of addiction and recovery.

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Dinsmoor (The Yoga Divas and Other Stories, 2010) recounts his stint in rehab for alcoholism in this new memoir.

In 2011, the author, a 53-year-old yoga instructor and freelance writer, checked himself in for a monthlong program of sobriety at the Wetlands Rehabilitation Center in West Palm Beach, Florida. Convinced that he needed to quit drinking by a concerned cabal of friends and family, Dinsmoor was finally willing to seek professional help to curb a habit that had grown worse over the decades: “Time was when a six pack or a small bottle of wine would put me under, but now it took about twice that.” Life in rehab bore a strange resemblance to life back in elementary school: the center was segregated by gender, patients were monitored around the clock, and petty grievances took on inflated importance. Even a certain juvenile sense of humor arose: Dinsmoor remembers how one rehab technician admonished her patients after discovering a crude drawing of genitalia on a sign-in sheet: “From a distance, all I could see was a squiggle, but I was pretty sure I knew what it was.” His planned stay of 28 days ended up stretching to three months, and he recounts his adventures along the road to recovery, including going into withdrawal when he was taken off Ativan, accusing his roommate of secretly using cocaine, and having to bunk with the most active drug dealer in the compound. Through it all, the author tells his tale with an eye for the absurd and the humor of a man who thinks he’s the only sane cuckoo in the nest. He’s a confident writer with a practiced comic timing, and although his story isn’t particularly dramatic or traumatic, it offers welcome insight into the rehabilitation industry and the sorts of characters found therein. The most intriguing conclusion readers may draw from his experience is that despite the fraternity of sponsors and support groups, recovery is ultimately a solitary pursuit. As people fade in and out, fall off the wagon, or disappear, one is reminded that the only person who can keep a patient sober is the patient himself.

A funny, rambling account of addiction and recovery.

Pub Date: June 4, 2015

ISBN: 978-0-9890113-2-7

Page Count: 218

Publisher: Art2000

Review Posted Online: Sept. 1, 2015

Kirkus Reviews Issue: Oct. 1, 2015

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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