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ANOTHER FIRST CHANCE

An emotionally intense exploration of grief combined with creative speculation about the nature of friendship.

A decision borne of frustration lands a grief-stricken young man in a questionable research trial about friendship.

Dylan, River’s best friend (and maybe more), died while texting and driving, leading their town to put up an awful billboard that seemingly reduces his death to a pithy slogan. After River’s grief and frustration finally boil over into vandalism, he discovers that someone knows he spray-painted the mustache on Dylan’s face. Blackmailed into joining the Affinity Trials, a study about friendship, River finds himself in close quarters with Mavis, a childhood friend who despises him and was also Dylan’s girlfriend. Over the course of the weeklong study, River starts new friendships and mends others, all while digging for the truth behind the trial’s technology and attempting to unravel his possible romantic feelings for Dylan. As the trials draw to a close, even reality itself comes into question for the participants, and River faces a difficult choice. Couch juxtaposes realistic, emotionally affecting scenes that expose the events of the night Dylan died with a week’s worth of present-day speculative-fiction intrigue, swiftly pulling the narrative along beside heartbreakingly accurate depictions of grief. The three main characters, who have layers of hurt feelings between them, are captivating and sympathetic. Readers who think they know what’s coming will be surprised. River is white; Mavis and Dylan are loosely described and read white.

An emotionally intense exploration of grief combined with creative speculation about the nature of friendship. (Fiction. 12-18)

Pub Date: May 28, 2024

ISBN: 9781665935302

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: March 9, 2024

Kirkus Reviews Issue: April 1, 2024

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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BETTER THAN THE MOVIES

From the Better Than the Movies series , Vol. 1

Exactly what the title promises.

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A grieving teen’s devotion to romance films might ruin her chances at actual romance.

Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.

Exactly what the title promises. (Romance. 12-18)

Pub Date: May 4, 2021

ISBN: 978-1-5344-6762-0

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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