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GO BACK AT ONCE

An imperfect but entertaining work of British satire.

A 1975 comedy of manners and imperialism, never before published in the U.S., by a British cult novelist.

Set in England in the wake of the First World War, Aickman’s satirical novel follows Cressida Hazeborough and her wealthier friend Vivien as they leave school and set out to find purpose in life. They decide to move in with Vivien’s scandalously divorced Aunt Agnes and, for a time, pursue jobs as a saleswoman and receptionist. Soon, however, they become fascinated with the Italian “patriot,” quasi-fascist, and publicity magnet Virgilio Vittore, whom Vivien dreamily describes as “a great poet, and a great playwright, and a great athlete, and a great soldier, and a great leader, and a great aviator, and a great lover.” Fantasy quickly becomes reality, however, when Aunt Agnes reveals that she shares a romantic past with Vittore and invites the young women to join her on a trip to assist him in Trino, a bit of Italy he’s established as his own state. Once there, the novel takes a surreal left turn, foregoing traditional plot almost entirely in favor of erotic fantasy and imperial satire. The publication of this novel offers readers the opportunity to delve into a witty, sophisticated work of 20th-century British fiction. Though its lack of plot and inchoate second half might befuddle some readers, aficionados of writers like Evelyn Waugh will be delighted by this unearthed treat. Aickman can sometimes leer at his young female protagonists, but more often he observes them with dry and generous humor: “When it comes to the opposite sex,” Vivien tells Cressida, “I am interested only in a Man, and neither you nor I have ever met one.” By the end of the book, they’re still searching.

An imperfect but entertaining work of British satire.

Pub Date: Jan. 11, 2022

ISBN: 978-1-91350-520-2

Page Count: 400

Publisher: And Other Stories

Review Posted Online: Dec. 14, 2021

Kirkus Reviews Issue: Jan. 1, 2022

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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