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HINDENBURG AND LUDENDORFF

THE GERMAN HIGH COMMAND AT WAR

Even allowing for the destruction of the German WW I military archives during the allied bombing of Potsdam, the absence of studies of the German side of that war has been remarkable—a deficiency, however, excellently remedied here by noted military- historian Asprey (Frederick the Great, 1986, etc.). Though his focus is on Hindenburg and Ludendorff, Asprey deals with the strategy and to some extent the tactics employed by the Germans throughout the war. Some of this is well-known; much is not. At the outbreak of war, he says, Hindenburg was an obscure general already in retirement, while Ludendorff was the celebrated quartermaster general to the Second Army. The two were transferred to the Russian Front, and there Hindenburg made his reputation—or had it made for him—in the battle of Tannenburg. As Asprey reports, one of Hindenburg's staff, when later showing visitors the headquarters at Tannenburg, became accustomed to saying that ``the Field Marshal slept here before and after the battle, and between us, also during the battle.'' Hindenburg became a household god and, according to Asprey, scarcely more useful: The actual work was done by Ludendorff. The fame of the ``Duo'' expanded until they were able to dominate German policy-making, but while they had a superb machine at their command, Asprey says, they lacked any clear conception as to how the war was to be won. They accepted, for example, totally unrealistic estimates as to what unrestricted submarine warfare could achieve. And their ultimate contribution to Germany history was to conceal their own mistakes, and to give rise to the legend that Germany's defeat had been caused by a stab in the back—a legend that led directly to the rise of Hitler. Though his prose is sometimes florid, Asprey has made splendid use of newfound materials and given us the best account yet of WW I German strategy. (Thirty-two pages of b&w photographs—not seen.)

Pub Date: Dec. 16, 1991

ISBN: 0-688-08226-2

Page Count: 600

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1991

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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A LITTLE HISTORY OF POETRY

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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