Much-needed, readably concise political and economic analysis.




The bestselling author presents his case that severe income inequality is the leading factor eroding American democracy.

After serving as the secretary of labor for Bill Clinton, Reich became a professor, frequent commentator on our ailing political system, and author of such bestsellers as Locked in the Cabinet, The Common Good, and Supercapitalism. In his latest, he urges all Americans outside the wealthiest 1% to stop thinking in terms of left vs. right or Democrat vs. Republican. Instead, writes the author, the crucial battle is Oligarchy vs. Democracy. The oligarchs, no matter what they say publicly about promoting democracy within a vigorous capitalistic economy, care almost exclusively about expanding their wealth. The accumulation of such wealth, writes Reich, has destroyed the middle class and offers nothing but misery to minimum wage workers. Throughout the narrative, the author relies heavily on the career of Jamie Dimon to illustrate his theories. Dimon, the CEO and chairman of JPMorgan Chase, presents himself as an enlightened supporter of the Democratic Party as well as a philanthropist actively seeking to reduce income inequality. Digging deeper, Reich argues that Dimon, while perhaps sincere in his own mind, is just another enabler of oligarchy. That enabling occurs not only via his too-big-to-fail bank, but also through Dimon’s leadership of the Business Roundtable, a lobbying organization consisting of the most powerful chief executives in the U.S. By opposing government regulation of industry and pushing for corporate tax cuts, Dimon and his fellow BR board members demonstrate their disdain for any legislation that might increase income equality among all socio-economic levels. As the author incisively shows, while opposing a safety net for the needy, corporate leaders regularly accept socialism for the extremely wealthy through government bailouts, an unfair tax code, and other measures. In various passages, Reich explains how the oligarchs have helped create and then bolster Donald Trump and his supporters.

Much-needed, readably concise political and economic analysis.

Pub Date: March 24, 2020

ISBN: 978-0-525-65904-4

Page Count: 224

Publisher: Knopf

Review Posted Online: Feb. 16, 2020

Kirkus Reviews Issue: March 15, 2020

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Dramatic, immersive, and wanting—much like desire itself.


Based on eight years of reporting and thousands of hours of interaction, a journalist chronicles the inner worlds of three women’s erotic desires.

In her dramatic debut about “what longing in America looks like,” Taddeo, who has contributed to Esquire, Elle, and other publications, follows the sex lives of three American women. On the surface, each woman’s story could be a soap opera. There’s Maggie, a teenager engaged in a secret relationship with her high school teacher; Lina, a housewife consumed by a torrid affair with an old flame; and Sloane, a wealthy restaurateur encouraged by her husband to sleep with other people while he watches. Instead of sensationalizing, the author illuminates Maggie’s, Lina’s, and Sloane’s erotic experiences in the context of their human complexities and personal histories, revealing deeper wounds and emotional yearnings. Lina’s infidelity was driven by a decade of her husband’s romantic and sexual refusal despite marriage counseling and Lina's pleading. Sloane’s Fifty Shades of Grey–like lifestyle seems far less exotic when readers learn that she has felt pressured to perform for her husband's pleasure. Taddeo’s coverage is at its most nuanced when she chronicles Maggie’s decision to go to the authorities a few years after her traumatic tryst. Recounting the subsequent trial against Maggie’s abuser, the author honors the triumph of Maggie’s courageous vulnerability as well as the devastating ramifications of her community’s disbelief. Unfortunately, this book on “female desire” conspicuously omits any meaningful discussion of social identities beyond gender and class; only in the epilogue does Taddeo mention race and its impacts on women's experiences with sex and longing. Such oversight brings a palpable white gaze to the narrative. Compounded by the author’s occasionally lackluster prose, the book’s flaws compete with its meaningful contribution to #MeToo–era reporting.

Dramatic, immersive, and wanting—much like desire itself.

Pub Date: July 9, 2019

ISBN: 978-1-4516-4229-2

Page Count: 320

Publisher: Avid Reader Press

Review Posted Online: May 20, 2019

Kirkus Reviews Issue: June 15, 2019

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However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.


Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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