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FLOREAT LUX

An intriguing and multilayered supernatural thriller with narrative roots digging deep into history.

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In this novel, a young woman may be serving as Satan’s secretary.

At the beginning of Brace’s story, Sabrina Lancaster is working on her law school dissertation on the life and career of Supreme Court Justice Mariano Scaglietti when the object of her studies suddenly dies. His sister engages Sabrina to go through her brother’s papers. In that collection (in the judge’s copy of Blackstone, of course), she finds a document connecting Scaglietti with a mysterious Welshman named Aneurin Bronaryre in which the justice makes reference to “the greatest possible abomination before the eyes of God and man.” In response to a query about this odd passage, Sabrina receives an invitation from Bronaryre’s lawyer, Thomas Ravenscroft, to meet him in London in order to learn more about the mysteries running through the vast Scaglietti archive she’s been exploring. Scaglietti was a hyperintelligent and combative figure, and the fact that he ended his letter to Bronaryre by writing “with the utmost ill will” intrigues Sabrina enough to strain her graduate student budget in order to travel overseas. She’s hunting for answers about the letter and Bronaryre, an extremely reclusive figure with no internet presence. She soon enough meets the man (“the type of person who when walking into a room subtly changes the atmosphere, someone whose presence injects a certain frisson”). Ravenscroft offers her a faculty position teaching aboard the United States, a floating university funded by Bronaryre. Furthermore, Bronaryre wants her to be his amanuensis, commissioned to write his story—the account of a man whose attorney calls him the devil.

Brace throws everything but the kitchen sink into this ample, digressive narrative. One of Sabrina’s first intimations that she’s dealing with supernatural forces comes early in the novel, when she’s leaving Bronaryre’s house and sees Benjamin Franklin arrive for a visit. But even a simple conversation with both Bronaryre and Ravenscroft (and all of their associates) is enough to suggest the unusual. Their every utterance is as saturated with historical references as the rest of the tale. The Jesuits, the Crusades, the Rosicrucians, the houses of York and Lancaster, the Freemasons, Pascal, Mark Rothko, multiple languages (extant and dead), endless trivia on books, religion, cocktails, poetry, art, opera—Brace brings virtually an entire obscurantist’s encyclopedia into the narrative. He employs an archaic 19th-century writing style with relish. His characters, even seemingly normal Sabrina, all talk in the stilted diction of an Oscar Wilde play, but Brace displays such eloquence and such a firm control of pacing that none of this overstuffing ever comes across as off-putting or artificial. At one point, Sabrina wonders if “maybe the Devil is disinclined to irony,” but that’s hardly borne out in the story, where every character indulges in all shades of irony. The author’s artful coup de grace is the construction of the connection between Bronaryre’s long, intricate history and Scaglietti.

An intriguing and multilayered supernatural thriller with narrative roots digging deep into history.

Pub Date: Sept. 21, 2021

ISBN: 978-1-7373192-0-7

Page Count: 540

Publisher: Self

Review Posted Online: Sept. 11, 2021

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CLOWN TOWN

From the Slough House series , Vol. 9

The best news of all: The climax leaves the door open to further reports from the hilariously misnamed British Intelligence.

A series of mounting complications leads to yet another fight to the death between the discarded intelligence agents of Slough House and the morally bankrupt head of MI5.

As Jackson Lamb’s motley crew on Aldersgate Street struggles to cope with the deaths of River Cartwright’s grandfather and mentor, intelligence veteran David Cartwright, and their dim, beloved colleague Min Harper, new troubles are brewing. Diana Taverner, who runs the British Intelligence Service from Regent’s Park, is being blackmailed by former MP Peter Judd to do his bidding. Nothing untoward about that, of course, but this time, Judd’s demands, backed by a compromising tape recording, are more pressing than usual. So Diana reconvenes the Brains Trust—Al Hawke, Avril Potts, Daisy Wessex, and their ex-boss Charles Cornell Stamoran—whose last assignment was to serve as the contact for psychopathic IRA informant Dougie Malone while turning a blind eye to his multiple rapes and murders, which were really none of the Crown’s business. Taverner’s new assignment for the Brains Trust is the assassination of Judd. Since all these developments are filtered through the riotously cynical lens of Herron’s imagination, nothing goes as planned, and when the smoke clears, the fatalities don’t include Judd. Now that Judd knows he has as much reason to fear Taverner as she does to fear him, Lamb offers to broker a peace meeting between them which Slough House computer geek Roddy Ho will keep secret by knocking out 37 security cameras around Taverner’s dwelling. What could possibly go wrong?

The best news of all: The climax leaves the door open to further reports from the hilariously misnamed British Intelligence.

Pub Date: Sept. 9, 2025

ISBN: 9781641297264

Page Count: 352

Publisher: Soho Crime

Review Posted Online: May 30, 2025

Kirkus Reviews Issue: July 1, 2025

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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