A nasty, freaky, and haphazardly funny horror story.
A punk-rock vagabond circa 1977 and a struggling Hollywood stuntwoman circa 2013 find themselves connected through a grotesque paranormal underground society.
Whatever those guys are smoking over at Cracked.com is working—this is the fourth good novel from a contributor, following David Wong’s John Dies at the End (2009) and This Book Is Full of Spiders (2012) as well as Wayne Gladstone’s Notes From the Internet Apocalypse (2014). Brockway (Rx: A Tale of Electronegativity, 2013, etc.) takes a less flippant approach to his over-the-top horror show, but humor and verve still bleed through in the voices of his vibrant lead characters. We meet Carey Horton in the beating heart of Manhattan’s punk scene as he and his friends get smashed, thrash their way through concerts, and revel in their squalid DIY existence. But dark forces are awakening in the form of “unnoticeables,” or “empty ones,” which are human shells that now house something…else. “You look for humanity in human-shaped things, and when you don’t find it, your broken, clouded minds just glaze right over it,” one of them tells Carey. “We are like you, but missing your inefficiencies.” He also encounters “tar men,” which are Lovecraft-ian monstrosities with acidic, flammable goo spread over mechanical skeletons. The book leaps between Carey’s youth and the present day, in which we meet Kaitlyn Barr, a cocktail waitress who yearns to become a professional Hollywood stuntwoman. She’s also begun seeing angels, which is making her doubt her sanity. At a party one night, she meets former child star Marco Luis (a thinly veiled doppelgänger of Mario Lopez from Saved by the Bell, which is funny all by itself). When Marco forces a kiss on Kaitlyn, she feels something cold, metallic, and distinctly inhuman slither inside her. Who should rescue her but an aged, alcoholic, and homeless Carey? There’s a lot of cosmic mythology in between about blood rituals and the origins of these surreal angels and demons, but readers will enjoy themselves more if they just kick back and enjoy the wild ride.
A nasty, freaky, and haphazardly funny horror story.Pub Date: July 7, 2015
ISBN: 978-0-7653-7966-5
Page Count: 288
Publisher: Tor
Review Posted Online: April 29, 2015
Kirkus Reviews Issue: May 15, 2015
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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