A nasty, freaky, and haphazardly funny horror story.
A punk-rock vagabond circa 1977 and a struggling Hollywood stuntwoman circa 2013 find themselves connected through a grotesque paranormal underground society.
Whatever those guys are smoking over at Cracked.com is working—this is the fourth good novel from a contributor, following David Wong’s John Dies at the End (2009) and This Book Is Full of Spiders (2012) as well as Wayne Gladstone’s Notes From the Internet Apocalypse (2014). Brockway (Rx: A Tale of Electronegativity, 2013, etc.) takes a less flippant approach to his over-the-top horror show, but humor and verve still bleed through in the voices of his vibrant lead characters. We meet Carey Horton in the beating heart of Manhattan’s punk scene as he and his friends get smashed, thrash their way through concerts, and revel in their squalid DIY existence. But dark forces are awakening in the form of “unnoticeables,” or “empty ones,” which are human shells that now house something…else. “You look for humanity in human-shaped things, and when you don’t find it, your broken, clouded minds just glaze right over it,” one of them tells Carey. “We are like you, but missing your inefficiencies.” He also encounters “tar men,” which are Lovecraft-ian monstrosities with acidic, flammable goo spread over mechanical skeletons. The book leaps between Carey’s youth and the present day, in which we meet Kaitlyn Barr, a cocktail waitress who yearns to become a professional Hollywood stuntwoman. She’s also begun seeing angels, which is making her doubt her sanity. At a party one night, she meets former child star Marco Luis (a thinly veiled doppelgänger of Mario Lopez from Saved by the Bell, which is funny all by itself). When Marco forces a kiss on Kaitlyn, she feels something cold, metallic, and distinctly inhuman slither inside her. Who should rescue her but an aged, alcoholic, and homeless Carey? There’s a lot of cosmic mythology in between about blood rituals and the origins of these surreal angels and demons, but readers will enjoy themselves more if they just kick back and enjoy the wild ride.
A nasty, freaky, and haphazardly funny horror story.Pub Date: July 7, 2015
ISBN: 978-0-7653-7966-5
Page Count: 288
Publisher: Tor
Review Posted Online: April 29, 2015
Kirkus Reviews Issue: May 15, 2015
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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