A nasty, freaky, and haphazardly funny horror story.
A punk-rock vagabond circa 1977 and a struggling Hollywood stuntwoman circa 2013 find themselves connected through a grotesque paranormal underground society.
Whatever those guys are smoking over at Cracked.com is working—this is the fourth good novel from a contributor, following David Wong’s John Dies at the End (2009) and This Book Is Full of Spiders (2012) as well as Wayne Gladstone’s Notes From the Internet Apocalypse (2014). Brockway (Rx: A Tale of Electronegativity, 2013, etc.) takes a less flippant approach to his over-the-top horror show, but humor and verve still bleed through in the voices of his vibrant lead characters. We meet Carey Horton in the beating heart of Manhattan’s punk scene as he and his friends get smashed, thrash their way through concerts, and revel in their squalid DIY existence. But dark forces are awakening in the form of “unnoticeables,” or “empty ones,” which are human shells that now house something…else. “You look for humanity in human-shaped things, and when you don’t find it, your broken, clouded minds just glaze right over it,” one of them tells Carey. “We are like you, but missing your inefficiencies.” He also encounters “tar men,” which are Lovecraft-ian monstrosities with acidic, flammable goo spread over mechanical skeletons. The book leaps between Carey’s youth and the present day, in which we meet Kaitlyn Barr, a cocktail waitress who yearns to become a professional Hollywood stuntwoman. She’s also begun seeing angels, which is making her doubt her sanity. At a party one night, she meets former child star Marco Luis (a thinly veiled doppelgänger of Mario Lopez from Saved by the Bell, which is funny all by itself). When Marco forces a kiss on Kaitlyn, she feels something cold, metallic, and distinctly inhuman slither inside her. Who should rescue her but an aged, alcoholic, and homeless Carey? There’s a lot of cosmic mythology in between about blood rituals and the origins of these surreal angels and demons, but readers will enjoy themselves more if they just kick back and enjoy the wild ride.
A nasty, freaky, and haphazardly funny horror story.Pub Date: July 7, 2015
ISBN: 978-0-7653-7966-5
Page Count: 288
Publisher: Tor
Review Posted Online: April 29, 2015
Kirkus Reviews Issue: May 15, 2015
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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