This high-flying book will send readers’ imaginations soaring.
Two American icons “met” high above New York Harbor one morning in 1909.
On Sept. 29, 1909, Wilbur Wright, co-inventor of the airplane, piloted his Wright Flyer around the Statue of Liberty for six and a half minutes. Awestruck spectators, most of whom had never witnessed a flight, included journalists, photographers, and 10-year-old Juan Trippe and his parents. Adding to the spectacle were numerous boats in the harbor, including the Lusitania. Though confident, Wright nevertheless attached a red canoe to the bottom of his plane—just in case—before rising to circle the pale-green Liberty and make the first-ever flight over New York City. Afterward, the crowds roared. Burleigh relates this exciting, little-known event from two perspectives. Children read/hear the voices of Juan and his parents (set in italicized type), making their presence immediate. This punctuates the dramatic third-person narration, expressed in a terse present tense that adds suspense. Minor’s splendid illustrations offer numerous grand perspectives and are rendered in lush watercolors, providing appropriate airiness and lending nostalgia; the scenes depicting Juan and his parents are sepia toned. Wright and the Trippes appear White. Front endpapers reproduce a newspaper account of the event; the backmatter contains excellent additional information, including a map. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at 83.8% of actual size.)
This high-flying book will send readers’ imaginations soaring. (author's note, illustrator's note, bibliography, source notes) (Informational picture book. 6-9)Pub Date: March 9, 2021
ISBN: 978-1-62779-368-1
Page Count: 40
Publisher: Christy Ottaviano/Henry Holt
Review Posted Online: Dec. 24, 2020
Kirkus Reviews Issue: Jan. 15, 2021
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
Blandly laudatory.
The iconic animator introduces young readers to each “happy place” in his life.
The tally begins with his childhood home in Marceline, Missouri, and climaxes with Disneyland (carefully designed to be “the happiest place on Earth”), but the account really centers on finding his true happy place, not on a map but in drawing. In sketching out his early flubs and later rocket to the top, the fictive narrator gives Ub Iwerks and other Disney studio workers a nod (leaving his labor disputes with them unmentioned) and squeezes in quick references to his animated films, from Steamboat Willie to Winnie the Pooh (sans Fantasia and Song of the South). Eliopoulos incorporates stills from the films into his cartoon illustrations and, characteristically for this series, depicts Disney as a caricature, trademark mustache in place on outsized head even in childhood years and child sized even as an adult. Human figures default to white, with occasional people of color in crowd scenes and (ahistorically) in the animation studio. One unidentified animator builds up the role-modeling with an observation that Walt and Mickey were really the same (“Both fearless; both resourceful”). An assertion toward the end—“So when do you stop being a child? When you stop dreaming”—muddles the overall follow-your-bliss message. A timeline to the EPCOT Center’s 1982 opening offers photos of the man with select associates, rodent and otherwise. An additional series entry, I Am Marie Curie, publishes simultaneously, featuring a gowned, toddler-sized version of the groundbreaking physicist accepting her two Nobel prizes.
Blandly laudatory. (bibliography) (Picture book/biography. 6-8)Pub Date: Sept. 10, 2019
ISBN: 978-0-7352-2875-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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