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TUNES FOR BEARS TO DANCE TO

Emblematic though they are, Cormier's characters have a vigor and authenticity surpassing creations of less accomplished authors of more realistic fiction. Here, protagonist Henry (11) retains all his essential innocence despite a troubled family: mourning the death of Henry's older brother, his mother is supporting them in a low-paying job while his father has withdrawn into a paralyzing depression. The grocer for whom Henry does odd jobs serves as evil incarnate, barely clothed in respectability: first glimpsed making vicious remarks to Henry about his customers' origins and physical defects, he is revealed to be an abusive parent and husband (Henry doesn't quite read the clues, but readers will), and finally tempts—then blackmails—Henry, wielding overwhelming pressure in an attempt to force him to destroy the village a kindly old Holocaust survivor has carved to commemorate his lost home. In classic Cormier fashion, the conclusion is unexpected, with surprises grounded less in the events than in the characters' moral readings of them. Briefer, more easily read, and ultimately less grim than much of Cormier's fiction, a thought-provoking story; for discussion, try comparison with two other incisive and compelling views of the roots of cruel destruction: Jan Slepian's underrated gem, Risk n' Roses (1990) and Paula Fox's hard-edged but compassionate The Village by the Sea (1988). (Fiction. 11+)

Pub Date: Oct. 1, 1992

ISBN: 0-385-30818-3

Page Count: 102

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1992

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is building a complex mythology; now is a great time to tune in.

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Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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