A serial killer; an aging cop with a hunch; an impulsive 15-year-old runaway: Three familiar characters are spun by a master of suspense into another disturbing study in emotional dysfunction. Convicted in the less punitive juvenile court—just as he had planned—for the murder of his mother and stepfather, Eric Poole has served his three years, and is slated for release on his 18th birthday. Outwardly guileless and extremely charming, he has convinced everyone that he was a victim of abuse (with self-inflicted scars as evidence) who struck back. Only Lt. Jake Proctor, who suspects Eric in the unsolved murder of two teenage girls, is skeptical. Enter Lori, a rootless girl with scars on her wrist, a woman's body, and the memory of a clean-cut boy who was nice to her years ago. Both she and Eric are searching for "tenderness"—which means, for her, safety and respect, and for him, the fierce inner response after he holds a life in his hands and then takes it. Cormier (In the Middle of the Night, 1995, etc.) draws the strings taut as Eric decides what to do with Lori, and Proctor watches and waits for a chance to get Eric back behind bars before he can kill again. In a devastatingly ironic climax, Lori helps Eric evade Proctor's trap, then dooms him by dying under suspicious but entirely accidental circumstances. Almost everyone here is a victim; one is a monster. (Fiction. 12+)
Pub Date: April 1, 1997
ISBN: 0-385-32286-0
Page Count: 229
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1997
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
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