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SUSPECT

A solid, muscular thriller, well-spun.

Veteran thriller-maven Crais (Taken, 2012, etc.) returns with a pleasingly perplexing storyline fresh from the headlines.

The heroine of the piece is Maggie, a 3-year-old German shepherd on her second deployment as a patrol and bomb-sniffing dog in Afghanistan. She is fiercely loyal to her handler—so when the inevitable happens, as it does in the evocative, grisly set piece that opens Crais’ latest, she’s thrown for a loop. Crais has to get a little didactic to provide the basis for innocent civilians: “Dogs suffering from post-traumatic stress disorder shared similar stress reactions with humans, and could sometimes be retrained, but it was slow work that required great patience on the part of the trainer, and enormous trust on the part of the dog.” True dat. For her sacrifice, Maggie is not sent to live out her life on the farm, but instead teamed up with trauma-stricken, guilt-ridden LAPD officer Scott James, who, like Maggie, has lost his partner in action. The difference is that Maggie’s handlers know who the bad guys were, whereas James has to go Rambo and find out who shot up him and his friend. The answer, revealed after a sequence of carefully plotted, well-described episodes, won’t come as a surprise to anyone who’s read James Ellroy’s L.A. Confidential, though the resolution is more up-to-date. The story takes in vast swaths of Los Angeles in all its multicultural glory, with baddies in the drug and diamond and policing businesses alike. And it’s oddly affecting, with Crais ably capturing the bond between humans and canines without veering into sentimentality.

A solid, muscular thriller, well-spun.

Pub Date: Jan. 22, 2013

ISBN: 978-0-399-16148-3

Page Count: 320

Publisher: Putnam

Review Posted Online: March 4, 2013

Kirkus Reviews Issue: April 1, 2013

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PRETTY GIRLS

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...

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Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.

The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.

Pub Date: Sept. 29, 2015

ISBN: 978-0-06-242905-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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DARK MATTER

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

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A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.

Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

Pub Date: July 26, 2016

ISBN: 978-1-101-90422-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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