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ADRIATIC

A CONCERT OF CIVILIZATIONS AT THE END OF THE MODERN AGE

Another characteristic Kaplan travelogue, often both riveting and disheartening.

The veteran journalist and foreign affairs specialist tours the historic sea and delivers his usual penetrating observations.

Fans of Kaplan’s work have squirmed through his graphic Balkan Ghosts (1993) and absorbed astute analyses of today’s international relations in The Return of Marco Polo’s World (2018). Both books are key forerunners to this insightful take on the stormy history and geopolitics of nations bordering the Adriatic: Italy and Greece as well as Slovenia, Bosnia, Croatia, Albania, and Montenegro. Chronicling his travels up the Italian east coast through Rimini, Ravenna, Venice, and Trieste, he writes about many familiar elements of European history through the centuries, but these serve mostly as historical background for the author’s often insightful musings on Italian art, architecture, and literature. Absorbing Roman and then Byzantine culture, Christian Italy successfully fended off Islamic influences and has remained united for two centuries. Matters are different when Kaplan leaves Trieste and enters the nations formed when Yugoslavia disintegrated in 1991. An unhappy mixture of cultures, languages, and religions, the people of this region have passed more than 1,000 years divided among three empires—Habsburg, Venetian, and Ottoman—and retain bitter memories of their treatment under each one. Circling the Adriatic, Kaplan finally arrives in Corfu, an island within swimming distance of post-Stalinist Albania but vibrantly Greek. The author repeatedly points out that while Europe’s population is stagnant, population explosions in Africa will lead to further tumult involving economics, climate change, resources, and migration. “With Africa’s population set to climb over the course of the century from 1.1 billion to perhaps 3 or 4 billion,” writes Kaplan, “migration will be a permanent issue for a country like Croatia with a Mediterranean coastline and a negative birthrate.” Croatia is only one of many nations in the region that will face significant obstacles in the coming decades.

Another characteristic Kaplan travelogue, often both riveting and disheartening.

Pub Date: April 12, 2022

ISBN: 978-0-399-59104-4

Page Count: 368

Publisher: Random House

Review Posted Online: Feb. 25, 2022

Kirkus Reviews Issue: March 15, 2022

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PRAIRIE, DRESSES, ART, OTHER

An unassuming work of literary theory that will dazzle hungry scholars.

A shimmering and perplexing work that challenges the constraints of traditional prose.

In her finely tempered collection of essays and experimental writing, Dutton, author of Margaret the First, explores a conceptual take on storytelling involving the ineffable feeling of a text, beyond mere words. Her work is highbrow while remaining mischievously playful, reminiscent of the form-smashing thrills of writers like Lydia Davis and Anne Carson. The first section, “Prairie,” features five abstract stories that eschew plot in favor of hazy, memoir-like fragments. The poetic and peculiar “Dresses” is an artfully arranged list of excerpts from poems and novels that include mentions of a dress. Despite the content coming from outside sources, their collaged curation transforms the texts into something unsuspectingly resonant. The revelatory essay in “Art” helps unlock Dutton’s puzzles. Here, she discusses contemporary art and the practice of ekphrastic writing, a technique that not only describes visual art in words but also aims to render in language and tone how a work makes a person feel. The author explains her interest in writing a text that can expand beyond its edges and open “a space within which we attend to the world.” “How might a story embody a specific way of looking?” she asks. “Other” further develops these ideas. In the short narrative “Not Writing,” Dutton briefly discusses the minimalist paintings of Agnes Martin and how scholar Olivia Laing noted “they aren’t meant to be read, but are there to be responded to.” Dutton asks, “Is it wrong to want to write towards what isn’t intended to be read? What I want is a story that’s an object that can turn itself inside out.” The author not only introduces big ideas; she shows her readers how to grapple with her lofty questions.

An unassuming work of literary theory that will dazzle hungry scholars.

Pub Date: April 23, 2024

ISBN: 9781566897037

Page Count: 176

Publisher: Coffee House

Review Posted Online: Jan. 30, 2024

Kirkus Reviews Issue: March 1, 2024

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THE LITTLE BOOK OF ALIENS

Solid data and reasoned conjecture strike a harmonious balance in a new SETI.

A jocular title does not even hint at the real wonders of this cook’s tour of alien life.

Astrophysicist Frank, author of Light of the Stars and The Constant Fire, has been obsessed with the idea of extraterrestrial life since childhood. After years of dreaming about exploring the cosmos for signs of intelligent life, he and other scientists are on the threshold of a new era of unprecedented discovery in the field of astrobiology. He details not only recent revelations in the detection of exoplanets, but also the search for technosignatures, indicators of technologically advanced species on worlds light years distant. These are not merely elements of science fiction. They are realities now within human reach thanks to the continuing development of ultra-powerful telescopes and to the sea change in a scientific culture that once scoffed at the Search for Extraterrestrial Intelligence (SETI). Frank’s enthusiasm is contagious, occasionally over-exuberant, and there is plenty of hard science in this survey, which the author presents with economy and accessibility. The book brims with fascinating facts and speculations, from the particulars of astrobiology to Dyson spheres. Frank’s cosmic tour makes stops at such milestones as the Fermi Paradox and the Drake Equation, showing how these 1950s advances continue to inform our thinking about the possibility of technological civilizations. The author also recounts the origins and current manifestations of the UFO craze and how the advancement of actual science has been impeded by 70 years of pop culture images that haunt our collective expectations. Frank advises we look for alien life where it most likely exists: deep space. He also stresses the key point that we have only begun to peer into the universe with instruments capable of breakthrough discoveries, a useful riposte to critics of the effort. Throughout, Frank champions the importance of demanding standards of evidence: “They are, literally, why science works.”

Solid data and reasoned conjecture strike a harmonious balance in a new SETI.

Pub Date: Nov. 21, 2023

ISBN: 9780063279735

Page Count: 256

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 26, 2023

Kirkus Reviews Issue: Sept. 15, 2023

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