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NEARER THE HEART'S DESIRE

POETS OF THE RUBAIYAT: A DUAL BIOGRAPHY OF OMAR KHAYYAM AND EDWARD FITZGERALD

An artful analysis of the lives of two poets separated by centuries, geography, and culture, united by hope.

A biographer and former professor examines the texts and contexts of Edward FitzGerald’s 1859 translation of Omar Khayyam’s medieval quatrains, initially ignored but later a worldwide publishing success.

Richardson (Splendor of Heart: Walter Jackson Bate and the Teaching of Literature, 2013, etc.), a winner of the Bancroft Prize, is uniquely qualified for his task. The biographer of William James, Thoreau, and Emerson and editor of anthologies of poetry, Richardson compresses these two lives into fewer than 200 tight pages, but the compression generates significant light. He acknowledges that little is known about Khayyam, but he weaves some significance from the few threads that remain. Born to a tentmaker in 1048, Khayyam later became involved with some powerful Persians and wrote myriads of quatrains, some finding their ways to the Bodleian Library, where FitzGerald (1809-1883) found them. Fascinated by what he found, he studied Persian with a friend and spent much of the rest of his life translating and tinkering. He lived to produce several editions of his book. Richardson writes about the life of each man, revealing in his sections about FitzGerald an astonishing series of influences and friends, including Thackeray, Tennyson, Carlyle, and others. The author is also curious (though not excessively so) about FitzGerald’s sexuality—he had a brief marriage but far preferred the friendship of men. Richardson ruminates about the nature of translation, noting that Khayyam’s quatrains were self-contained, not linked in a narrative, a situation that FitzGerald altered. The author credits FitzGerald for making the verses appeal to all sorts of modern (and, now, contemporary) readers. Finally, he lists what he sees as the values of the work—among them, its “ungendered vision of love” and its hope that maybe we can all get along.

An artful analysis of the lives of two poets separated by centuries, geography, and culture, united by hope.

Pub Date: June 14, 2016

ISBN: 978-1-62040-653-3

Page Count: 208

Publisher: Bloomsbury

Review Posted Online: March 26, 2016

Kirkus Reviews Issue: April 15, 2016

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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LIVES OTHER THAN MY OWN

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...

The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.

Pub Date: Sept. 13, 2011

ISBN: 978-0-8050-9261-5

Page Count: 256

Publisher: Metropolitan/Henry Holt

Review Posted Online: Aug. 10, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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