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PORTRAITS OF FRANCE

Personal reminiscences of an aspiring American writer's life in France, mixed in with a vigorous dose of French history, by the author of A Faint Cold Fear, Year of the Dragon, etc.—a treat for Francophiles and Daley fans alike. Daley first traveled to France a few years after the end of WW II, when, at age 23, he dreamed of writing the great American novel and had resolved to follow Fitzgerald's trail. In Nice, he fell in love almost instantly with a local girl, battled red tape and disapproving parents to marry her and bring her back to the States, and began a lifelong association with a country he had relished at first sight. A later stint as a Paris-based foreign correspondent during the de Gaulle era offered opportunities to wander around the country with his family and interview interesting local people, making this reminiscence a generally pleasant mixture of personal tales (the long, strange life of his Swiss/British/French hotelier father-in-law) and brief snatches of local history (the resident popes of Avignon). The charm of the book lies in its details—e.g., Daley's officially registering his daughter's birth by handwriting her vital statistics in an enormous ledger at the local marie. Most readers will also sympathize with Daley's eventual exasperation at French society's xenophobia and the gnawing homesickness that finally brought him back to the States. An engaging story of a man's love affair with a country, and a congenial portrait of one writer's life.

Pub Date: July 14, 1991

ISBN: 0-316-17185-9

Page Count: 496

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1991

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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