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ANTARCTICA

STANDING AT THE BOTTOM OF THE WORLD

Not a tale of high adventure, but a likable snapshot of a trek to a place few witness.

A personal account of a tourist expedition to Antarctica, marked by rich photography and touches of memoir.

In 2012 the author, in his 80s, joined his grandson Colin for a trip from the United States to Tierra del Fuego and, from there, to Antarctica’s northernmost shores, taking in wildlife, glaciers, and science stations. Crossing Drake Passage, the waterway between Argentina and Antarctica, was an uncomfortable two days of rough waves routinely tossing him out of bed. But Flynn’s done his homework, and he knows what he endured was nothing compared to the experience of early explorers like Ernest Shackleton or, more recently, the scientist who had to perform a biopsy on herself in isolation. Flynn, a native Texan and former writing teacher, has a flinty, lightly comic style, and though some chapters ramble—Flynn meeting a Russian ship captain leads to a longueur about the Cold War—his observations of the continent’s fragile ecosystem have intelligence and force. Each of the 15 chapters begins with a large photo and ends with a slideshow of others (landscape view is preferable); the pages are studded with smaller photos, which are not always well-captioned but generally intuitive. Maps and hyperlinks are abundant, most taking readers to Wikipedia. As a narrative, Flynn’s work never quite settles on what it wants to be: An “If You Go” chapter with tourist advice suggests a newspaper travel article, the photography aspires to a National Geographic feature, and Flynn’s recollections of earlier travels around the world with his grandson suggest a more personal tale. But the overall feel of the app is less one of incoherence than omnivorousness—the author was so clearly inspired by his journey that he wanted to pack everything in.

Not a tale of high adventure, but a likable snapshot of a trek to a place few witness.

Pub Date: Feb. 21, 2013

ISBN: N/A

Page Count: -

Publisher: JoSara MeDia

Review Posted Online: March 26, 2013

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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