Doesn’t cater to new readers of the series, but Chesney is an appealing, capable lead.
An environmental grad student in Louisiana tries to stop the sale of a potentially deadly virus in Gallant’s (Jericho’s Trumpet, 2006, etc.) thriller.
When a covert government team learns that someone in Houston is planning to sell a lethal virus with the potential for global devastation, Chesney Barrett, a grad student, is team leader Travis Weld’s first choice for help. Travis also needs Chesney to keep an eye on a drug dealer and his recent methamphetamine shipment, relevant to a prior case Travis and Chesney worked together. It seems relatively simple, but soon multiple people are dead, including Chesney’s best friend in the Atchafalaya Basin. Posing as journalist Edie Hammond, Chesney travels to Delphia Virotech in Houston to find the elusive seller—most likely the same person who murdered her friend. The author drops readers into the story without establishing the characters. As such, a few details are unclear, including how Chesney is so skilled at hand-to-hand combat and why Travis can’t use a trained agent for this particular assignment. But Gallant knows how to deliver a mystery, loading the plot with suspects and not making it easy for Chesney to trust the bevy of Houston scientists. Travis doesn’t add much to the story aside from setting Chesney on the mission and repeatedly suggesting that she seduce the men for info. Fortunately, Chesney is a formidable protagonist, capable of self-defense—whether armed or not—and intuitive as well. She, for example, ensures that the stubborn Dr. Martin Giles stays calm when the two are interviewing people related to victims of a viral outbreak at a Houston hotel. Travis may come to Chesney’s rescue on occasion, but it’s safe to say that she could have handled herself all on her own. Gallant rounds out the narrative with several goodies: a coverup; the possibility of a virus carrier intentionally killing others; and the thuggish Oster (the prospective buyer) with his gun-toting henchmen.
Doesn’t cater to new readers of the series, but Chesney is an appealing, capable lead.Pub Date: Jan. 2, 2007
ISBN: 978-0-595-41852-7
Page Count: 242
Publisher: iUniverse
Review Posted Online: Aug. 17, 2015
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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