Any student of the Renaissance should read this excellent work showing Spain’s enormous impact on the arts and, with her...
A bright, wide-ranging chronicle of the golden age of the Spanish empire.
Though Goodwin (Spanish, Portuguese, and Latin American Studies/Univ. Coll. London; Crossing the Continent 1527-1540: The Story of the First African-American Explorer of the American South, 2008) denies that he has written a magisterial work filled with scholarly detail but rather a book for the “idle reader,” it is a well-researched, intelligent, and easily understood history of the first global empire on Earth. The author divides the work into two sections: “Gold” deals with the historical, economic, and political history, and “Glitter” explores literary and artistic works. At the beginning of the empire, King Charles V realized that the great wealth of silver and gold arriving from America would require a bureaucracy to ensure the availability of the banks, postal service, food, and roads essential for the movement of troops and supplies. He had to be well-organized and wealthy to wage wars and contain an empire that included the Netherlands, Naples, the Holy Roman Empire, and, eventually, Portugal. Charles was also an avid collector of Renaissance art and appointed the Venetian artist Titian as court painter. His son, Philip II, inherited a well-oiled machine that enabled him to expand the vast art collection his father had begun. He laid the path for Spain’s great artists Velázquez, Murillo, and El Greco, who were joined by great writers and thinkers like Cervantes, Góngora, and Quevedo. Goodwin not only shows the greatness of Spain’s empire, but also explains the psyche of Spaniards during the time. They preferred poverty over labor and honor over trade, and they were obsessed with purity of blood. The latter aspect was one of the prime drivers of the Inquisition, formed to rid Spain of lapsed Christians who had converted from Judaism during the diaspora of 1492.
Any student of the Renaissance should read this excellent work showing Spain’s enormous impact on the arts and, with her vast American empire, the world.Pub Date: July 21, 2015
ISBN: 978-1-62040-360-0
Page Count: 608
Publisher: Bloomsbury
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
The latest in a splendid series by Schell (Discos and Democracy, 1988, etc.), extending over 20 years and tracking momentous changes in the world's most populous country. Beginning almost where he left off in his last book, Schell describes the events at Tiananmen Square and their aftermath. The square has long been both a symbol of the power of successive regimes as well as a traditional site at which dissent was expressed. The demonstrations, which extended far beyond a rarefied group of students, journalists, and intellectuals, soon began to involve the urban proletariat, the very vanguard of the revolution. Deng Xiaoping, having crushed their dissent with great brutality, concluded that only economic development would save the regime. Deng is the latest in the line of Chinese reformers who have believed that China could borrow the technology and managerial methods of the West without affecting Chinese culture and values. For the moment, says Schell, the middle class has struck a Faustian bargain with the Communist Party, forgoing political confrontation while economic liberalization continues. ``By 1991,'' Schell notes, ``almost nobody in China was taking Marxism seriously.'' But the country presents the paradox of almost wild capitalist enthusiasm (with strange elements, including the success of a $1,500 limited edition Mao watch with diamond- and sapphire-studded gold casing) and a Stalinist security apparatus that presides over labor camps with 1020 million prisoners. China is now, Schell writes, irrevocably part of the world economic system, but he does not venture to predict the outcome. Schell doesn't give as immediate a sense of life in China as do Kristof and WuDunn in China Wakes (p. 826), nor has he travelled as widely, but he brings great analytical power and understanding to one of the most important political stories of our time. (Author tour)
Pub Date: Sept. 1, 1994
ISBN: 0-671-70132-0
Page Count: 464
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
An expansive history of Western civilization's evolving conception of the human body and that concept's influence on the erection of cities. Sennett (Sociology/New York Univ.; The Conscience of the Eye, 1991, etc.) argues that the homogenization of contemporary culture is aided and abetted by the failure of modern architecture and urban planning to accommodate the physical and sensory needs of the human body. This is more than mere postmodern sterility to Sennett. He sees this failing as an extension of the ``enduring problem'' of Western civilization: the inability or refusal of those with the power to build cities to honor ``the dignity of the body and diversity of human bodies.'' From Pericles' Athens to Robert Moses's New York, Sennett incorporates discussions of sexuality, religion, politics, medicine, and economics into a historical grand tour of great cities whose buildings, streets, and public squares elevated the status of the ruling elite and diminished that of common citizens. Along the way, we find out how it felt to witness an execution by guillotine in revolutionary Paris, attend a Roman banquet, and observe a trial in ancient Greece, where courtrooms reflected the demands of a participatory democracy—three-foot-high walls and a jury box big enough for the minimum 201 jurors. Though Sennett ably surveys the ideological landscapes of the ancient, medieval, and modern worlds, these quotidian revelations are what enliven the book. By exposing the principles of individualism and personal comfort that form the most fundamental assumptions of 20th-century consumer culture, Sennett reminds modern readers that they trade a great deal for comfort—namely their engagement with one another. In so doing, he debunks the myth that the evolution of cities has been one of unfettered progress, or that progress is synonymous with improvement. Passionate, exhaustively researched, and original. (Photos and maps, not seen)
Pub Date: Sept. 1, 1994
ISBN: 0-393-03684-7
Page Count: 448
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
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