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LAND OF TEARS

THE EXPLORATION AND EXPLOITATION OF EQUATORIAL AFRICA

An exemplary work of history and a somber account of a colonial enterprise that has crippled Africa to this day.

Fresh interpretation of the 19th-century race to colonize the interior of sub-Saharan Africa.

As Harms (History and African Studies/Yale Univ.; Africa in Global History With Sources, 2018, etc.) writes, the Congo Basin rainforest was long isolated, difficult to access, and lacking well-developed trade routes. This changed in the 19th century, when exploration on the part of explorers like Richard Francis Burton and David Livingstone was met by the arrival, in the eastern interior, of Arab and Swahili traders who took slaves and ivory to the Zanzibar coast—and then, with the assistance of Henry Morton Stanley, that of the forces of the king of Belgium, whose colonization of the Congo was among the most brutal of any in human history. The last aspect has been well documented in works such as Adam Hochschild’s King Leopold’s Ghost, but Harms contributes significantly to the literature by explaining how these various intrusions were linked and fueled each other—and more, how Belgian colonization inspired further intrusions by other European powers. Livingstone, for example, had been traveling with those very Arab ivory and slave traders for years while the Italian-born explorer Pietro Savorgnan di Brazza pressed French claims along the Congo, helping the cause by mounting awe-inspiring fireworks shows for the local chiefs and their followers, after which he would “threaten to call war down upon them if they did not cooperate.” The stratagem was effective. The intruders, writes the author, soon become something more. They “were no longer explorers but were state builders,” states that did not have the benefit of being built with the consultation of the native peoples. Those peoples suffered and died in the spice plantations on the Indian Ocean coast, in mines, and on rubber plantations deep in the forest even as Stanley, an architect of genocide, enjoyed a funeral service in Westminster Abbey and the Zanzibari slave trader Tippu Tip became the wealthiest man in the land save for the sultan.

An exemplary work of history and a somber account of a colonial enterprise that has crippled Africa to this day.

Pub Date: Dec. 3, 2019

ISBN: 978-0-46-502863-4

Page Count: 544

Publisher: Basic Books

Review Posted Online: Oct. 12, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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LET ME FINISH

Graceful and deeply felt.

A collection of personal pieces, combined into an affecting memoir by longtime New Yorker editor Angell.

The author, a noted baseball writer (A Pitcher’s Story, 2001, etc.), has many intimate connections to the magazine Gardner Botsford once dubbed “The Comic Weekly,” in which most of these reminiscences originally appeared. His mother, Katherine, was the New Yorker’s fiction editor; years later, Angell held her former job—and occupied her office. His stepfather, E.B. White, was the magazine’s most important contributor during its most influential years. The memoir mostly concerns New Yorker colleagues and other remarkable people who have been a part of the author’s life. His father, lawyer Ernest Angell, lost Katherine to the younger White but over the years became a figure of immense importance to Roger. Angell loved his mother, loved White, loved his first wife (not much here about the cause of their 1960s divorce), loved his coworkers, loved his job. His portraits are really tributes, whether of the well-known William Maxwell, V.S. Pritchett, Harold Ross or William Shawn, or the lesser-known Botsford and Emily Hahn. Angell offers some New Yorker–insider tidbits (Ian Frazier mimicked Shawn’s voice so well that he could fool colleagues over the phone) and a bit more than you want to know about some of his aunts, one of whom wrote a book about Willa Cather. A dazzling story-within-a-story describes a 1940 round of golf with a mysterious woman who lost a valuable ring. The author seems uncertain how an iPod works but reveals an expertise with machine guns. His fickle memory frustrates and bemuses him. Sometimes he can recall only sensory images; sometimes the story unreeling in his mind skips, stops, fades, dissolves into something else. In several of his most appealing passages, he writes about the fictions that memory fashions.

Graceful and deeply felt.

Pub Date: May 8, 2006

ISBN: 0-15-101350-0

Page Count: 304

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2006

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LETTER TO MY DAUGHTER

A slim volume packed with nourishing nuggets of wisdom.

Life lessons from the celebrated poet.

Angelou (A Song Flung Up to Heaven, 2002, etc.) doesn’t have a daughter, per se, but “thousands of daughters,” multitudes that she gathers here in a Whitmanesque embrace to deliver her experiences. They come in the shape of memories and poems, tools that readers can fashion to their needs. “Believing that life loves the liver of it, I have dared to try many things,” she writes, proceeding to recount pungent moments, stories in which her behavior sometimes backfired, and sometimes surprised even herself. Much of it is framed by the “struggle against a condition of surrender” or submission. She refuses to preach or consider her personal insights as generalized edicts. She is reminded of the charity that words and gestures bring and the liberation that comes with honesty. Lies, she notes, often spring out of fear. She cheated madness by counting her blessings. She is enlivened by those in love. She understands the uses and abuses of violence. Occasionally a bit of old-fashioned advice filters in, as during a commencement address/poem in which she urges the graduates to make a difference, to be present and accountable. The topics are mostly big, raw and exposed. Where is death’s sting? “It is here in my heart.” Overarching each brief chapter is the vital energy of a woman taking life’s measure with every step.

A slim volume packed with nourishing nuggets of wisdom.

Pub Date: Sept. 30, 2008

ISBN: 978-1-4000-6612-4

Page Count: 192

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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