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FATHERLAND

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There are no happy novels set in Berlin, but Harris (Selling Hitler, 1986, on the diaries forgery) has managed a novel that dances on Hitler's grave with amusing success. Naturally, the whole book is entirely depressing, depression being the keynote of Hitlerian fantasias; its leading tones were struck earlier by Orwell's 1984 and le CarrÇ's The Spy Who Came in from the Cold. Harris's novel is set in 1964—Germany has won WW II, and this is the weekend of Hitler's 75th birthday, with huge celebrations ready to blow. After defeating Russia, Germany has formed a European trading bloc with 12 Western nations; German is the second language in all schools; everyone drives German cars, watches German TV, and so on. Switzerland alone is neutral, afloat on the Wehrmacht's stalemate in its cold war with the US. Tying in with Hitler's birthday is the announcement that—to reinforce dÇtente between the two countries—US President Joseph P. Kennedy has been invited to Berlin. But that dÇtente is threatened by the murders of two retired high officials, and Xavier March, homicide investigator with the Berlin Kriminalpolizei, lands the job of tracking down the killers. March is divorced and disaffected, and his ten-year-old son hates him for not being a super-Nazi like himself. Just as March is getting ahead in the case, he is taken off it by Globus, a top pig in the Gestapo. But March is too far in to stop. And he's fallen in with the beautiful American journalist ``Charlie'' Maguire, a smart and feisty woman who's always ready to prick March's Nazi chauvinism. The big secret: March has stumbled on the great Nazi coverup of the gas chambers, with ghastly proofs of it hidden in a numbered Swiss account. Farsighted readers know that massive dystopian evil such as Winston Smith faced in 1984 can provide no happy end. But only a Schweinehund wouldn't like this springtime for Hitler, with its waltzes through the Holocaust to the tunes of Leh†r's The Merry Widow.

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Pub Date: June 1, 1992

ISBN: 0-679-41273-5

Page Count: 320

Publisher: Random House

Review Posted Online: Jan. 9, 2011

Kirkus Reviews Issue: March 1, 1992

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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