by Robert Hilbert ‧ RELEASE DATE: April 1, 1993
From the president of the International Society of Jazz Record Collectors: a life of great jazz clarinetist Pee Wee Russell (1909- 69), who cut the figure of a legendary drinker and inspired player but who during his life was at once reviled for incompetence and respected for genius. The recorded works say genius. Born in St. Louis, Charles Ellsworth Russell (who grew into quite a big, lanky man) was cosseted by his parents and given every musical instrument he longed for—violin, piano, drums, sax, and, finally, a top-of-the-line clarinet. At age 12, he began both drinking and playing in bands. Beset by his lack of discipline, his family sent him away to military school, but the school dropped him after one year. Russell's final musical training was a brief course from a clarinetist in the St. Louis Symphony Orchestra; at age 16, he began a nearly 50-year solo. He was befriended and loved by greats, including bosom buddy Bix Beiderbecke, whose cornet style Russell adapted for a staccato clarinet attack but then gave up for a seemingly groping, hawking, rasping, often dirty personal style. Beiderbecke and Russell dug Stravinsky, Ravel, and the moderns and sought a new style of improvising along chordal rather than melodic lines. Russell kept up-to-date, not wanting to be locked into the past, and even wound up in one Newport concert with Thelonious Monk, where he acquitted himself knowledgeably. Meanwhile, he lived in an alcoholic hell. His long body moved fluidly as he played, but his long-nosed, big-eared basset-hound face bore agony through eyes staring querulously from a mass of hound-deep wrinkles and prison bars of alcohol. He died from brain edema and cirrhosis of the liver. Once underway, tremendously entertaining.
Pub Date: April 1, 1993
ISBN: 0-19-507403-3
Page Count: 336
Publisher: Oxford Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1993
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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