If readers are ready to forgive its confused plot, the art offers much to appreciate.
Two dogs rescue their master’s accordion—and the world’s music—in Paris.
Victor and Hugo, a terrier and a basset hound, respectively, accompany their elderly, white master, Maestro, and his accordion on the banks of the River Seine. Appreciative viewers watch their performance, but a tossed salami causes Victor, Hugo, and the accordion to fall into the river. Both dogs (who start speaking once separated from their master) are illustrated with personality and emotion, and the oft-changing perspective keeps the pace moving. However, the core of the story—that Maestro’s accordion gets stuck in a tire that constantly evades capture and that said accordion suddenly houses the music of the world—feels arbitrary and even nonsensical. Victor and Hugo, along with many Parisians, chase the accordion, which somehow ends up in a sewer that Hugo and Victor access through a hidden door. Afraid they’re stuck in the sewer for good, Victor and Hugo sing a song that makes the whole of Paris sad…and leads Maestro to them. He liberates his accordion and leads the dogs back to the streets, where everyone celebrates the return of music to the world. While Blake’s lush oil paintings evoke the colors, vibrancy, diversity, and excitement of this little slice of Paris, his story is a disjointed jumble.
If readers are ready to forgive its confused plot, the art offers much to appreciate. (author’s note) (Picture book. 5-8)Pub Date: Jan. 3, 2017
ISBN: 978-0-399-24324-0
Page Count: 40
Publisher: Philomel
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 15, 2016
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...
Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.
Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)Pub Date: Aug. 22, 2017
ISBN: 978-1-4424-0298-0
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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