Sometimes too talky but richly detailed and expertly plotted. A grand entertainment.
“Don’t forget, it was their choice to get involved in this war”: Fantasian Bennett builds another world, convincingly, in which empires rise and fall and blood flows.
Less literarily allusive than its predecessor, City of Stairs (2014), this contribution to that worldbuilding epic is also more somber in tone, not that there isn't some good humor along the way. Turyin Mulaghesh, sometime general in the Saypuri army, is righteously ticked off to discover that someone in the bureaucracy is messing with her pension, luring her in for an unpromising mission: she’ll need to go to the ghost city of Voortyashtan, where a massive harbor project is underway to consolidate imperial power, and hang tight until the paperwork can get straightened out. But there’s more to it than that, for which reason Mulaghesh grumbles, “Why in hells would I want to do this?” Yes, hells, for when she’s not spitting out stronger curses, Mulaghesh talks like a teenager down at the mall or a Viking with a hangover (“If you’re not the kin of Sigrud je Harkvaldsson, then I am a dead fucking dog”). Bad things are happening in Voortyashtan, one-time home of the gods who fell in defeat to the empire; in its raw tribal violence and the unending atrocities clashing armies commit it might be another Afghanistan, though there are ghosts and gods in twilight to contend with, to say nothing of strange doings down beneath the surface of the planet. Shades of Outland, Dr. Lazarus! Yet the crimes are less cut and dried than all that, especially when a giant metal woman comes into the picture, “her hands…nothing but knives, long and curved and thin….” Bennett clearly has fun doing all the scene-setting and complicating that his tale involves, and while in the end this is a warning against the totalitarian impulse, it makes all kinds of detours into the dark hearts of men—and women, too.
Sometimes too talky but richly detailed and expertly plotted. A grand entertainment.Pub Date: Jan. 26, 2016
ISBN: 978-0-553-41971-9
Page Count: 464
Publisher: Broadway
Review Posted Online: Oct. 27, 2015
Kirkus Reviews Issue: Nov. 15, 2015
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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