No action thriller this—it’s all courtroom drama.
Tanenbaum (Bad Faith, 2012, etc.) goes on the waterfront in his latest in his crime series featuring Butch Karp and Marlene Ciampi.
Charlie Vitteli runs the New York City–based North American Brotherhood of Stevedores. That’s bad for its members. Vitelli wants to hold onto power and continue to take bribes for avoiding safety regulations while also dipping into embezzled pension fund money. Using Joey Barros, his razor-toting enforcer, as go-between, Vitteli contracts with a Russian mob wannabe for the assassination of a union reformer. The murder’s done, but the ugly punk from St. Petersburg is soon caught, along with two local mopes. That’s when Roger "Butch" Karp, district attorney for New York County, steps in. One of the trio turns state’s witness. The three are convicted. The Russian wannabe is quickly eliminated in a prison murder engineered by the Brighton Beach–based Malchek bratka. That convinces the other mope to turn state’s witness, and Vitteli is indicted and convicted. With killers and motives laid out, this is no page-turning whodunit. Instead, Karp flexes his Jack McCoy muscles, giving courtroom-theater fans something to do when television is bereft of Law and Order re-runs. While Marlene Ciampi is a minor player, the narrative is bloated, with some contradictions and "that can’t happen" moments. Most characters are clichés, but two or three break out: Jackie Corcione, weakling son of the union founder who is kept in line by the threat of outing his homosexuality; "Dirty Warren," Tourette’s-afflicted, street-wise newsstand operator; and Ivgeny Karchovski, retired USSR colonel and boss of a not-so-bad Russian gang, thugs who are willing to deal in illegal immigration, false papers and black markets but draw the line at drugs, guns and prostitution. Conveniently, Ivgeny is Butch’s cousin and part of an underworld pipeline. Tanenbaum tosses in quotes and references to Macbeth—"I have murdered sleep" being handy shorthand for a beleaguered conscience—but that’s an elaborate blueprint for a small structure.
No action thriller this—it’s all courtroom drama.Pub Date: Aug. 13, 2013
ISBN: 978-1-4516-3555-3
Page Count: 400
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: June 22, 2013
Kirkus Reviews Issue: July 1, 2013
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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