Think of a ’58 Chrysler, chunky with chrome and tailfins, but grounded finally by the kind of moral and spiritual reflection...
A pair of Monster Moms take center stage in the latest legal whirlwind for New York Chief Assistant D.A. Butch Karp and his fearless wife Marlene Ciampi.
Still another shooting on the job drives Marlene abruptly out of her business protecting stalked women and into private practice just in time to take over the defense of collegiate baby-killer Sarah Goldfarb millions of miles away in Delaware. (The location is one of the many details of the case's real-life model that Tanenbaum hasn't bothered to change.) Back in Manhattan, Butch's office, under pressure because of a sudden rash of similar cases, is prosecuting another not-so-fictional Monster Mom of its own: Lourdes Bustamente, who tossed her unwanted newborn out a lavatory window and went back into the dance hall. As in all the pair's strongest outings (Falsely Accused, 1996, etc.), the two cases are knotted together—not because Butch and Marlene are arguing from opposite sides of the courtroom, but because they're both struggling to work toward a middle ground that acknowledges the enormity of infanticide while still recognizing its difference from, say, contract murder. As her parents sweat the details of their politically loaded cases, linguistic prodigy Lucy Karp, now 16, lands in the middle of an apparently more straightforward murder: the shooting of her friend Caitlin Maxwell's wealthy parents by a decorator her father had quarreled with. But Lucy doesn't believe the prisoner, a nice-seeming man who was teaching her this month's language, pulled the trigger, and her extra legal attempts to talk to him land her father in the soup, rounding out a strong collection of plotlines that ultimately rise above Tanenbaum's trademark endless details: descriptions of walk-on characters, reams of legal strategy, and more windy aphorisms than Goethe.
Think of a ’58 Chrysler, chunky with chrome and tailfins, but grounded finally by the kind of moral and spiritual reflection about the law most legal thrillers would get thrown out on a technicality.Pub Date: Aug. 1, 2000
ISBN: 0-7434-0589-7
Page Count: 400
Publisher: Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2000
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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