An engrossing, thorough, and revealing portrait of a beloved beachside community confronting disaster.
A writer offers stories of California residents caught in the flames of a deadly wildfire.
On Nov. 9, 2018, the Woolsey Fire spread from Simi Valley to Malibu, destroying 100,000 acres of land and forcing 250,000 people to evacuate. What debut author, actor, and longtime resident Kerbeck remembers of that day is “the terror of thinking you’re about to be burned alive in front of your kid.” His book, a collection of tales blending memoir, investigative journalism, and narrative, begins with his own harrowing account of the fire’s rapid descent toward his home. The author then goes on to reconstruct the stories of his neighbors. There are plenty of shocking close calls with “flaming embers”—one standout is the experience of Tanesha Lockhart, who had to “shelter in place” with the youths of a detention center. But Kerbeck also uses the residents’ recollections as a springboard to reach deep into the history of Malibu and the questions of liability surrounding California wildfires. Stars like Bob Dylan and Sean Penn make cameos, but what is more important to the author is the community of Malibu that exists at the edges of its multimillion-dollar homes: the Morra family, which struggled, ultimately in vain, to buy a fire engine dedicated to locals; Valerie Sklarevsky, a hippie activist who lived in a covered wagon; and the Gonzalezes, who built their own doomed, wooden home themselves. Throughout these and the other tales, the author deftly digs into the terror of that day, the deep connections these people felt to the land, and the varying factors that played a role in the Woolsey fire’s rapid development. His ample research allows him to makes surprising connections, linking the fire to the electric provider’s mismanagement and even possibly to nuclear testing in the 1950s while providing a thorough examination of the volunteer and Los Angeles County fire departments. Kerbeck writes about policy and history with the same urgency that he brings to cars engulfed in flames. And he focuses on just the right details—such as a high school production of Spring Awakening and a lost collection of airplane models—to give a robust and very human face to Malibu and the increasingly frequent dangers it faces.
An engrossing, thorough, and revealing portrait of a beloved beachside community confronting disaster.Pub Date: Nov. 1, 2019
ISBN: 978-1-73347-053-7
Page Count: 262
Publisher: MWC Press
Review Posted Online: Nov. 6, 2019
Kirkus Reviews Issue: Dec. 15, 2019
Review Program: Kirkus Indie
BOOK REVIEW
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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