Moves the story about an inch—handsome but inessential.

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THE DAM KEEPER

WORLD WITHOUT DARKNESS

From the Dam Keeper series , Vol. 2

With only a few days to get back to Sunrise Valley before the next black fog, Pig and his friends undertake a desperate trek across the wastelands.

Short on storyline but long on encounters with strange residents met along the way, this sequel to The Dam Keeper takes Pig, Fox, Hippo, and Van (the last apparently a lizard but strongly resembling a Kermit the Frog puppet) from the teeming, smoggy streets of Frogtown through cities of beavers and moles, a meeting with a group of nomads led by a wolf, and finally a brush with a scary smoke monster. The art, done without inked lines in luminous, gracefully brushed colors, has a distinctive and superficially pretty look. However, forms and backdrops tend to be rendered as vague, indistinct blobs, often in dim lighting, and on some pages they are so squeezed into tiny panels that at times their nature, or any action that might be taking place, is hard to discern. This stylization is particularly noticeable in the animal cast, much of which is so cute and snub-nosed as to be unidentifiable without prompts in the dialogue. The influence of the Academy Award–nominated short film that inspired this spinoff remains in the cinematic storyboarding and visual humor—but readers who aren’t already cued into the plot, characters, and overall scenario will flounder.

Moves the story about an inch—handsome but inessential. (Graphic fantasy. 7-11)

Pub Date: July 10, 2018

ISBN: 978-1-62672-427-3

Page Count: 160

Publisher: First Second

Review Posted Online: March 27, 2018

Kirkus Reviews Issue: April 15, 2018

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More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.

DOG MAN AND CAT KID

From the Dog Man series , Vol. 4

Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).

The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamilton and Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).

More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)

Pub Date: Dec. 26, 2017

ISBN: 978-0-545-93518-0

Page Count: 256

Publisher: Graphix/Scholastic

Review Posted Online: May 14, 2018

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What a wag.

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DOG MAN

What do you get from sewing the head of a smart dog onto the body of a tough police officer? A new superhero from the incorrigible creator of Captain Underpants.

Finding a stack of old Dog Man comics that got them in trouble back in first grade, George and Harold decide to craft a set of new(ish) adventures with (more or less) improved art and spelling. These begin with an origin tale (“A Hero Is Unleashed”), go on to a fiendish attempt to replace the chief of police with a “Robo Chief” and then a temporarily successful scheme to make everyone stupid by erasing all the words from every book (“Book ’Em, Dog Man”), and finish off with a sort of attempted alien invasion evocatively titled “Weenie Wars: The Franks Awaken.” In each, Dog Man squares off against baddies (including superinventor/archnemesis Petey the cat) and saves the day with a clever notion. With occasional pauses for Flip-O-Rama featurettes, the tales are all framed in brightly colored sequential panels with hand-lettered dialogue (“How do you feel, old friend?” “Ruff!”) and narrative. The figures are studiously diverse, with police officers of both genders on view and George, the chief, and several other members of the supporting cast colored in various shades of brown. Pilkey closes as customary with drawing exercises, plus a promise that the canine crusader will be further unleashed in a sequel.

What a wag. (Graphic fantasy. 7-9)

Pub Date: Aug. 30, 2016

ISBN: 978-0-545-58160-8

Page Count: 240

Publisher: Graphix/Scholastic

Review Posted Online: June 1, 2016

Kirkus Reviews Issue: June 15, 2016

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