As told by Donnie Phillips, Lee's debut novel about fly- fishing in Montana is bestrewn with glorious malapropisms: ``I have a good vocabulary for a fishing guide, but I know I ain't no Rogue Scholar, so when I come upon a new word I study on it some.'' The main new word Donnie studies is piscatorial, as in ``Dear Piscatorial Partners,'' which is how he opens the letters that comprise this epistolary novel and that he sends to Manhattan Chapter #6 of Trout Unlimited. This opening, further, lets him avoid mentioning women (``effeminate females,'' as he would have it) in his discussions of the men-only (as he would have it) art of trout fishing. Piscatorial derives from the Roman Empire, where a local angler, seeing women fishing, remarked, ``Ain't that a piss- cutter!'' Says Donnie: ``The empire collapsed soon after that, and historians have misinterpreted the remark and decided that `piscator' was a Latin term meaning fishermen.'' When New Yorker Elliott, separated from his wife back in the city, arrives to teach English and creative writing, he hires Donnie as a guide to show him some fishing water—which he does, though forever twisting other people's superior abilities, including Elliott's graceful and accurate casting, in his own form of one-upmanship. Meanwhile, Donnie is somehow married to Nancy, who has a degree in psychology and sociology and works for a local home where they help people who are really messed up. When Donnie's boss Wally fires him and hires Elliott to replace him, Elliott's girlfriend Beth, suggests that she, Elliott, Donnie, and Nancy build their own B&B lodge for fishing guests. Before Donnie knows it, a whole passel of fisherwomen from New York have their eye on the lodge-to-be. Good fun and steadily amusing, though it seldom plucks at the heartstrings as does, say, Ring Lardner, the master of authoritative stupidity and lingual description.
Pub Date: Oct. 1, 1997
ISBN: 1-55821-603-0
Page Count: 156
Publisher: Lyons Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1997
BOOK REVIEW
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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